ANgiE tAYLoR 🧷

Tag: motion Graphics

Creative Graphic Design: Essential Typography

Making good decisions is essential in typography — choosing the right typefaces, fonts, sizes, spacing and so on — can have a major impact on the quality of your designs. In this one-of-a-kind workshop, art director, illustrator, and motion graphic designer Angie Taylor introduces you to the essential principles of typography.

After exploring the terminology, history, and anatomy of traditional and computer-based fonts, she brings you all the way up to the present day by looking at how text is formatted in today’s creative applications.

You’ll also learn specific software techniques for creating your own lettering from hand-drawn text, animating text on a path, using operators and effects to customize existing fonts, working with 3D text, and more.

This workshop covers many aspects of typography, from its history and terminology to how it is handled by modern software. The contents of this course include:

Introduction
The Introduction chapter sets the stage for the whole course. Your trainer, Angie Taylor, will introduce some of the typographic concepts that will be covered in the following lessons. She’ll also share the story of what inspired her to become a graphic designer.

The Essence of Typography
This chapter examines the fundamentals of typography, looking at the history of type and how it influences the terminology we use to describe the anatomy of type.

Typefaces
This chapter focuses on typefaces. It begins by examining the categories of typefaces and then compares some examples from each of the categories so that you are better able to recognize the differences between them. You’ll also discover how certain characteristics and cultural associations can influence the meaning of a particular typeface.

Fonts
Typefaces usually include several fonts with different weights and characteristics. In this chapter you’ll learn about these and the differences and similarities in size, weight, line, and detail that you should be aware of when choosing fonts. We’ll also look at special characters that are included in fonts, such as ligatures.

Spacing
The space between letters, words, and lines of text is just as important as the characters themselves. In this chapter we’ll start thinking of negative space as a shape and look at ways of adjusting this space to balance text correctly.

Formatting Text in Adobe Applications
Most Adobe design and video applications have similar typographic controls. In this chapter we’ll look at the different tools that are available for editing your text and apply some of the concepts we’ve discussed in earlier chapters.

Working with Type in Photoshop
This chapter focuses on the (somewhat limited) text features available Adobe Photoshop. You’ll also learn about some complementary features like layer styles that you can use to personalize your design and add pizzazz to your text.

Working with Type in Illustrator
Illustrator is Angie’s favorite application for designing text, and here’s why. In this chapter you’ll get a ton of creative tips on ways to take a standard, classic font like Helvetica and customize it to get a variety of different looks.

Motion Graphics in Adobe After Effects
In this chapter we’ll focus on creating text for your motion graphic designs. You’ll see how After Effects handles text imported from Photoshop, how to make text move along a specified path, and how to apply effects. We’ll also look at the multitude of text animation presets that you can apply to your text.

The lessons are wrapped in a feature-rich interface that lets you jump to any topic and bookmark individual sections for later review. Full-Screen mode provides a hi-def, immersive experience, and Watch-and-Work mode shrinks the video into a small window so you can play the videos alongside your application. Also included are exercise files that give you an easy way to try out the techniques you learn.

Download a PDf description of this course

January 31, 2012
Happy 2012 – More free downloads

Well another year almost over. I’m looking forward to 2012, hoping that it’s a better year for our industry and for all my friends. I have a couple of exciting bits of news to share and more free downloads so here’s my final blog for the year.

Mark Coleran, a good friend of mine and an extremely talented designer is giving away the entire LayerLab collection of After Effects template projects free. Layerlab was a resource for After Effects designers that Mark worked on a few years back. The project was put on hold while Mark pursued other career options. He’s now made a very kind gesture of giving these projects away for free. You can also check out Mark’s blog and portfolio here.

I have a new workshop out in time for the new year. Creative Graphic Design: Essential Typography – Principles and Techniques for Working with Text is a workshop with a difference. Making good decisions in typography — choosing the right typefaces, fonts, sizes, spacing and so on — can have a major impact on the quality of your designs. In this one-of-a-kind workshop I introduce you to the essential principles of typography.

After exploring the terminology, history, and anatomy of traditional and computer-based fonts, I take you all the way up to the present day by looking at how text is formatted in today’s creative applications. You’ll also learn specific software techniques for creating your own lettering from hand-drawn text, animating text on a path, using operators and effects to customize existing fonts, working with 3D text, and more.

There are several free movies you can check out here. If you like what you see, here’s a special discount code for you if you’re interested in buying this course; Coupon Code: ETYP20 Discount: 20% Expires After: 29-Feb. Just enter the code during checkout to get 20% off the advertised price.

Inspiration

Word Spacing

Using Clipping Masks in Photoshop

Layering Effects

Animation Speeds and Durations Onscreen

December 31, 2011
Something’s happening in Europe!

Me with Gerhard & some of the team at video2brain

I’m very excited, something’s happening in Europe that’s going to be fantastic for all of us – I think you’re going to love it! First of all, let me set the scene for why I’m telling you this.

Once in a while, if you’re lucky, you end up working with a bunch of really special people – I’m so lucky it’s happened to me. I create video training workshops with the fantastic team at video2brain which is led by one of the nicest men I have I ever met, Gerhard Koren.

Gerhard and I used to be demo artists for Adobe, traveling to trade shows and events, speaking about how we used Adobe software in our work. We clicked right away, Gerhard was so knowledgeable and talented, and as with most truly gifted people – humble and genuine with it. He always took time to help people to really understand the software and went out of his way to be friendly and kind.

Gerhard set up video2brain in 2002 and it quickly became established as Europe’s premiere go to place for video training. They gained a reputation for quality and innovation that has never been matched.

In 2009 they started creating English Language titles and were joined by Dan Brodnitz who came in to head up the amazing English language team. Dan has an extensive experience in the publishing industry having worked at Lynda.com, O’Reilly and IDG. As well as bringing his publishing expertise to the table, he also brings a passion for creativity, ideas and people. Like Gerhard, he’s what we call in the UK “a top bloke”. Friendly, full of ideas and he cares about quality and integrity.

I’ve worked with video2brain since 2009 when I created my first After Effects Learn by Video product with Adobe’s Todd Kopriva. Since then I’ve created lots more titles and made many more friends at video2brain who I’d love to mention by name but are too numerous to list (you know who you are and how much I love working with you!) We have gradually built a fantastic team of English language trainers who you can find out more about here.

2011 marks another great landmark for video2brain which will be announced this week. I wish I could tell you now but my lips are sealed. All I can say is please keep an eye on the countdown on our video2brain website. And if you want to get an idea about the kind of video training we offer, take a look at some of the 600 plus free tutorials we offer online as a taster of what’s to come.

November 29, 2011
After Effects Light Wipe Tutorial

After Effects Light Wipe Tutorial

There was a a question today on Creative Cow about how to create a light wipe effect in After Effects. I wanted to help so I decided to put together a quick After Effects Light Wipe tutorial. This tutorial includes an After Effects project and an eight-minute video tutorial where I explain techniques used.

Here’s the original question from Danielle Masek;

Q: I have a vector object (some wings) which is black right now, and I would like a light ray to start bursting through the center, change to a vertical line “ray” and move both right and left concurrently, revealing the wings; however, the wings won’t now be all made up of light, instead the light rays will reveal the wings’ outline, which will now be outlined in a backlit glow. I hope I’m explaining this clearly. Will I need trapcode for this? Something else?

A: Here’s a little movie that will help you and others I hope. You’ll also find the project files to follow along Wings reveal.aep.

November 24, 2011
Typography Video Training

Creative Graphic Design: Essential Typography

– a typography video-training workshop on the principles of designing text.

I’ve just finished recording my latest workshop with the fantastic team at video2brain. It’s a workshop with a difference.

If you want the salient points delivered to you quickly so you can get on with your work, this product is perfect for you. It’s a series of short videos that form an educational and enjoyable workshop that you can sit back and enjoy – imbibing my knowledge as you go!

It’s based upon the Typography chapter from my book, Design Essentials for the Motion Media Artist. Not everyone likes to read books or needs the level of detail covered in Design Essentials so this provides an alternative.

It provides a quick-reference guide in the format of a video presentation. All the essential key principles of Typography that every designer needs are covered. And it won’t bog you down with too much detail (that’s what the book is for right?) it’s fast-paced and illustrated throughout with helpful animated diagrams and examples of work.

Learn about the history and anatomy of type as well as the terminology used to describe the components of text. Discover the difference between typefaces and fonts, glyphs and characters, serifs and sans serifs, kerning and tracking, leading and baseline shift. Find out when and why you would use specific fonts based on aesthetics, cultural associations and characteristics.

This workshop expands on the content of the book with additional software exercises to improve your typographic software skills. You’ll learn how to apply the principles of typography in practical ways to graphic design projects. Software exercises will show you how Adobe’s Character and Paragraph panels can help make the most of your text, creating unique and exciting effects.

I’ll also teach you lots of neat tricks like animating text along paths in After Effects and making text write on the screen. In Illustrator we’ll use operators to customize lettering, giving it a hand drawn look,. We’ll create 3D Text in Photoshop and add Layer Styles to brighten up our graphic designs. In InDesign you’ll make the most of its powerful Open Type features such as ligatures, glyphs and other special characters.

With this comprehensive typography video training workshop you can simply sit back and watch as I present the principles for you. If you feel like following along, all the exercise files are provided. The videos are short and easily digested and you won’t get bogged down with technical jargon as I explain difficult concepts using easy-to-understand, real-world terminology.

If you’d like to be notifies when this title becomes available please click on this link.

November 21, 2011
Happy Halloween Everybody

After Effects CS5 Presets for Halloween

Cartoon castle and bats

I’ve created some special little Halloween Software Tricks and Treats for you to use in your work. This download contains an After Effects CS5 project and artwork needed to create some spooky Halloween graphics for your projects.

Pumpkin Particles falling

I love creating ideas and techniques for the community. In fact I’d love to dedicate more time to creating ideas, tips and tricks for you and make it a full-time venture. However these things take quite a long time to produce so I’m currently trying to fit these in-between paid freelance jobs.

I’ve been trying to figure out ways to make this pay without having to charge people a fixed price for these. I’d also like to avoid having advertising on my site to earn income. So, as an experiment, I’ve included a free download link to the project files and a Donate button. I’d dearly love to prove that a business model, where people volunteer to pay what they think something is worth can work.

If you find these presets useful and would like to support this risky venture please donate what you can afford, even $1 would make a difference and would be gratefully appreciated. This will help me dedicate more time to this project and continue to improve the website’s offerings. Thank you!

Angie_Taylor_Halloween_Presets folder

These designs use the Trapcode Suite of plug-ins and Magic Bullet Looks. If you don’t own these plugins you can download free trials here from the Red Giant website

In the future I intend to provide privileges and special offers to those who contribute to this project.
Thanks so much for your support!

October 30, 2011
FREE After Effects Stereoscopic 3D Workshop
In this week’s newsletter I’ll be giving away a complete workshop about using the Stereoscopic 3D workflow in After Effects CS5.5 (offer ends 26/09/11). That’s four chapters – a total of 16 training movies absolutely free to subscribers of my software tips and tricks newsletter. Sign up today to make sure you don’t miss out. The lovely people at video2brain have created this workshop for me if full, fabulous HD quality for your viewing pleasure. You can find out more about their high quality productions here. Any the wonderful team at Artbeats have donated some fantastic Stereo 3D footage absolutely free so you can build this opening title graphic sequence is glorious Stereoscopic 3D.
- In the “Introducing Stero 3D” chapter you’ll find out what stereoscopy is, why those funny glasses are used to view S3D and how After Effects re-creates the illusion of depth for 3D broadcasts.
- In the “Faking 3D tracking” chapter you’ll discover how to combine 3d animated elements with Stereo 3D video footage from Artbeats.com. I’ll show you how to track the footage in 2D and then “fake” 3D tracking by cleverly combining the tracking data with additional 3D animation. Once the shot is designed you’ll add 3D cameras and lights that will help the text combine well within the shot and and add effects to bring it all together.
- In Effects, Transparency and Style chapter we’ll add effects, blend modes, and layer styles to the graphic elements so that they appear to blend into the shot.
- Finally in the Stereoscopic 3D workflow chapter you’ll build a Stereo 3D rig that automates the comp structure required to create an anaglyphic image for 3D broadcast. We’ll look at the effects you can use to adjust the settings so that they are just right for your individual needs. We’ll also look at ways of adding even more depth and realism to the scene with Depth of Field and Motion Blur effects.
August 23, 2011
Try Artbeats’ 3D footage FREE!

Download your free HD S3D clips today!

Artbeats, your source for royalty-free stock footage, is offering everyone a free HD clip from their new Stereoscopic 3D (S3D) library. If you’ve been wanting to try your hand at working in 3D motion, this free download is the perfect opportunity to test it out.

For those of you who are not ready for 3D, you can download the same clip in 2D for use in your everyday high def projects.

Download the Free clips here

(Offer closes 11/11/11)

Learn more about Artbeats S3D footage here

August 10, 2011
Post Production Magic

Join Red Giant for an evening of inspiration

I’ll be speaking at Red Giant’s FREE Post Production magic event in September. Here’s the blurb! Event Registration is available now on the Adobe website.

When a group of amazing animators get hold of a projection system, you’re either going to get an evening of inspiration or a cheeky light bulb joke. Post Production Magic is your event for awe-inspiring work by After Effects gurus Angie Taylor, Simon Cam of SuperGlue, Ernesto Rogata of BSkyB and colourist and trainer Simon Walker.

These artists show you how popular Red Giant tools like Magic Bullet Suite and Trapcode Particular and Trapcode Form open up big creativity on a small budget. Experience the best of design, animation, colour grading and visual effects created in After Effects and Premiere Pro, along with a networking and cocktail hour. Hosted by Red Giant and co-hosted by Adobe Systems, the event will be streamed live by Adobe and held at state-of-the-art Ravensbourne University in London (www.rave.ac.uk).

Angie Taylor (www.localhost:8000)

In her session Angie will share tips and tricks for creating cool and quirky motion graphics in Adobe After Effects and will show how she uses Red Giant Looks, Particular, and other Red Giant effects to give her animations a more distinctive style and pull her compositions together.

Angie Taylor is an art director, motion graphic designer and author. She enjoyed a fourteen year career producing animation, visual effects and motion graphics for television, film, video and the web. During her career Angie worked with D-Fuse designing animation for cutting-edge Beck DVD ‘Guero’ and provided animation for the controversial Aphex Twin / Chris Cunningham collaboration ‘Rubber Johnny’. She also provided visual effects on the John Williams-directed “Hibernation”, winner of six awards at international film festivals, including ‘best short’ award at the 2005 Manhattan, Rhode Island, Edinburgh and Zagreb Film festivals. Examples of her work were regularly broadcast on the BBC and Channel 4 in the UK and across Europe.Angie also works in the software industry as a software specialist, regularly touring with companies including Adobe and Apple. Angie delivers software demonstrations and seminars on digital filmmaking and animation processes at international trade shows and conferences including NAB, IBC and Macworld. She also provides bespoke training and consultancy to a wide range companies including; BBC; Channel 4; Channel 5; Carlton; HTV; B Sky B; MTV.The author of three successful books. The “Creative After Effects” books (version 5 and 7), published by Focal Press, and a third book, “Design Essentials for the motion media artist” which is also published by Focal Press. Angie is also co-author of “After Effects CS5 Learn by Video”, published by Peachpitt in association with Adobe Press. Angie also produces high quality online training workshops with video2brain, Europe’s premier source for video training since 2002.

Simon Cam, Superglue (www.wearesuperglue.com)

Superglue’s projection mapping project for Toyota’s “Get Your Energy Back” campaign (http://www.vimeo.com/16466136) was a highly creative and technical challenge, utilising numerous different production techniques. The animation featured 2D, 3D, keyframed animation, dynamics, particle systems and more. Compositing, VFX and general pipeline management was performed in After Effects, whilst 3D work was created using Autodesk Maya and Maxon Cinema 4D. The team made extensive use of both Trapcode Form and Trapcode Particular in bringing to life the ‘hybrid energy’ that was the key part of the campaign’s message.

Superglue is an award winning, London-based production company specialising in innovative digital projects. The team comprises a dynamic mix of production, post and digital brains working across live action, visual effects, 3D and motion graphics. Superglue operates across the modern media spectrum, creating moving image for everything from banners to broadcast.

Ernesto Rogata, BSkyB

Ernesto will talk about the daily challenge of integrating text and other graphic elements in exciting and innovative ways in sport pieces, stings and short title sequences – usually with little time to complete the job. He will share some simple techniques to create motion graphics using After Effects and Red Giant plug-ins.

Ernesto Rogata is an award-winning senior video editor at BSkyB in London and has worked in post-production for 20 years. His professional role covers four areas: editing, grading, creating motion graphics and training.

Simon Walker, (www.simonwalkerfreelance.com)

Simon will show the grading secrets of Plot Device, a new short film produced by Red Giant, and will demonstrate how Red Giant’s Magic Bullet Suite brought to life a varied series of genres… as well as a hoard of zombies!

Simon is creative director of WiltshireVideo.com, makes online grading and editing tutorials at www.simonwalkerfreelance.com, and is an instructor for the International Colorist Academy, iColorist.com. He is an Adobe Certified Premiere Pro Instructor and trains industry professionals in editing, motion graphics, colour grading, audio sweetening, and (excitingly!) video compression.

Here’s a link to Event Registration on the Adobe website

Ravensbourne

6 Penrose Way
Peninsula Square
Greenwich
London
SE10 0EW

Weds 7th September 2011

6.30pm for drinks and networking

Presentations from 7.00pm to 8.15pm

Networking til 9pm

August 10, 2011
Free After Effects & Premiere Pro Performance Workshop

I’m excited to be able to offer a free top-up course on my website to all my lovely visitors. In this free course, Adobe Technical Support Lead Todd Kopriva offers dozens of tips for optimizing Premiere Pro, After Effects, your operating system, your computer, and your workflow for maximum speed and performance.

He makes recommendations for RAM, CPUs, graphics cards, and hard disks – both what to buy and how to set up your applications to make optimal use of these resources – and for setting preferences and other options in After Effects and Premiere Pro to minimize the amount of processing needed at each step of your workflow.

You’ll also learn what CUDA, OpenGL, and the Mercury Playback Engine are, and what each means to you in practical terms. After completing this workshop you’ll get more done in less time, both by making things work faster and by avoiding common causes of wasted time.

July 18, 2011
Post-Digital Aesthetics make a welcome return

I’ve been speaking at events for a long time, in fact I can’t believe how long, after fifteen years now I’m classed as an industry veteran! (I’m not sure whether to be happy or sad about that one!). It’s been great to be in this position as I’ve seen the industry develop both technically and in terms of design. I’m happy to say that I’m beginning to notice a change. We are now entering a new age where technique is gradually becoming less prevalent – aesthetics and messaging are being rediscovered as the most important aspect of our work as designers. My friend, Birgitta Hosea (now a Doctor of animation!) has coined a new term to mark this era, “the post-digital aesthetic age”.

During most of my career as a motion graphic designer I’ve witnessed so many projects that are led by technique or by the latest “how cool is that” type-of-effect. “How did they do that?” is all fine and dandy for your average man in the street, or for those concerned with visual effects or the more technical aspects of production. But for artists, designers, philosophers thinkers and appreciators of fine art it and design, I’m afraid it just doesn’t cut it every time. We like substance as well as style. Why did they do that is just as important as how, please don’t let us forget the saying “just because you can, doesn’t mean you should!”

I’m going to be teaching on the Graphic Design and Illustration courses at Brighton University this year and am so excited to be going back into an academic environment. Of course I’ll be teaching digital software techniques, I’m there to provide guidance to the students from the perspective of a motion graphic designer. But I’m also looking forward to emphasising to them the importance of the core design skills they’ll need to set themselves apart as artists and communicators. I’d love to hear the views of others on this subject. How do you ensure that the technical aspects of your work as a designer/ illustrator/ artist don’t dictate the content or quality of your work? Answers on a well thought out and constructed postcard please! 🙂

July 1, 2011
20% off new Todd Kopriva After Effects workshop

This week I’m giving a 20% discount to anyone who wants to buy the fantastic new workshop on Motion Tracking & Stabilisation by Todd Kopriva which is now available to buy from my video training store. Just enter MOTION into the Coupon Code box when buying from my shop. It’s valid till July 15th 2011.

If you want to check out some free samples before buying there are some links to free sample movies here, including; An Overview of the mocha-AE Interface and Workflow, Overview of Warp Stabilizer Effect and more details about the Warp Stabilizer controls and workflow

This workshop covers all the tools and techniques used for motion tracking and image stabilization in After Effects, including the point tracker, the Warp Stabilizer Effects, and mocha-AE. The contents of this course include:

Introduction
This chapter introduces you to motion tracking and shows you frame-by-frame how manual motion tracking works.

Motion Tracking with the Point Tracker
Once you determine what kind of motion you want to track, you’ll need to decide what you will apply the tracking data to. This chapter explains your options and shows you how to remove tracking markers when you’re done.

Motion Tracking with mocha-AE
This chapter walks you through using mocha-AE, a standalone application that can export tracking data for use in After Effects.

Stabilizing Motion
Ever been frustrated working with shaky footage? This chapter shows you how to add stability to your projects by using the new Warp Stabilizer effect.

The lessons are wrapped in a feature-rich interface that lets you jump to any topic and bookmark individual sections for later review. Full-Screen mode provides a hi-def, immersive experience, and Watch-and-Work mode shrinks the video into a small window so you can play the videos alongside your application. This course also includes project files so you can follow along and try out new techniques as you learn them.

June 17, 2011