Tag: tutorials

  • Software Training Courses with Lynda.com

    You can now access most of my software training courses with Lynda.com. This link will take you to my author page where you can find out more about the courses I have on offer. Here’s a free taster of the kind of things I teach in my tutorials.

    Using the Stroke effect

    View this entire Kinetic Typography Techniques with After Effects course and more in the lynda.com library.

    I recorded these courses with video2brain and they are now part of the Lynda.com library. If you prefer to buy individual courses then you still can for a limited time in my tutorials store.

    Of course a Lynda.com subscription gives you access to the entire library of training by me and other authors including Trish and Chris Meyer, Rob Garrott, Deke McKlelland and more.

    Free seven-day trial

    lynda.com online training tutorials

    I’m giving away a free 7-day trial subscription. If you have a quiet week, sign up here and pack as much training in as you can to get real value from this offer. Once you’ve benefitted from a week’s training I’m sure you’ll see the benefit of a full-time, no-holes-barred subscription!

    If you subscribe now you’ll soon get access to my latest course which is coming soon. “Up and Running with Cinema 4D Lite” is a complete 2-day course in Cinema 4D Lite, aimed at After Effects users who have little knowledge of 3D applications. It will help you make the most of this free software that was bundled as part of After Effects CC.

  • After Effects Twitter Tips

    Here’s my latest collection of After Effects Twitter Tips from my archive. Learn all sorts of useful tips and tricks in bite sized portions. Make sure to Follow me on Twitter to get these tips regularly as well as other goodies I like to share.

    Twitter Tips

    After Effects tip – To make a one node camera point at a layer, select the layer, then with the unified camera tool selected, hit the F key
    AFTER EFFECTS TIP | Copy & Paste any mask shape into a position property to make layer move along the path. Click on property name to select
    AFTER EFFECTS TIP | Give Adobe your feedback | Report Feature Requests & bugs here; http://t.co/s7f1NOPs @AdobeAE #AfterEffects
    AFTER EFFECTS TIP | To stretch or squash an animation – select all keyframes – hold Alt key & drag first or last Keyframe in selected group
    After Effects Tip | Video tutorial – Use the Stroke effect on Illustrator paths to make handwriting animate on screen http://t.co/0E6UHcKOsr
    After Effects Tip of the day! How to make a layer follow a path copied from Adobe Illustrator artwork. http://fb.me/CEapjgCw
    After Effects tip; add new Refine Matte effect to ANY matte in AE to refine edges or add motion blur. Not just for Rotobrush! Fabulous tool!
    After Effects tip; Animating characters, use expression pickwhip 2 link body parts 2 cntrl layer. Expression control effect 4 each movement.
    After Effects Tip; How to make a layer follow a path copied from Adobe Illustrator artwork; http://bit.ly/f8tP4w
    After Effects tip; Lay down markers in time with audio by previewing the audio and hitting * on number pad when you want markers to appear.
    After Effects tip; to edit the path of an effect’s positional property (e.g. Particles) got to Layer panel & choose effect in target menu.
    After Effects tip; To use more than one layer as matte without precomping. Add multiple copies of Sett Matte effect to layer needing matted.
    After Effects Tip: @butlerm_com Try combining transfer modes, use more than one layer with a different mode and opacity value on each! 🙂
    After Effects tip: Add keyframes for hidden Transform properties by selecting layers & hitting alt & property letter (eg alt-p for position)
    After Effects tip: Applied a preset & wanna find out how it’s made? Select layers then double-hit the U key to expose adjusted properties.
    After Effects tip: Make 3D layers turn to face camera as it moves. Select layers, go to Layer>Transform>Auto Orient. choose Towards Camera
    AFTER EFFECTS TIP: Right-click on a property value to open Edit Value dialog. Here u can access different measurement units & adjust ranges.
    AFTER EFFECTS TIP: Rotate , scale, skew or move all layers by adding the Transform effect to Adjustment layer – keyframe to animate them
    After Effects tip: Scaled a layer down, nested the comp, then scaled it up? Click Collapse Transformations switch to fix resolution issues.
    AFTER EFFECTS TIP: Travis Wade presents his After Effects: Copy and Paste Shortcuts on Motionworks; http://t.co/nP2yA1nJ
    After Effects tip! Make layer automatically turn to follow direction of path – select layer, go to Layer > Auto Orient. Choose ‘Along Path’

    AfterEffects Tip | Isolate a property group from the Effect Control Panel in Timeline by double-clicking Property Group name in ECW

    #AfterEffects TINY TIPS: Do you have trouble with slow render speeds? Here’s a video workshop by Todd Kopriva to help: http://t.co/Y45ucGEl
    #AfterEffects TINY TIPS: Do you have trouble with slow render speeds? Here’s a video workshop by Todd Kopriva to… http://t.co/2fL7wE8l
    #AfterEffects Tip – Scale layers in comp without messing up composition – Select layers – Go to File > Scripts > Scale Selected Layers
    #AfterEffects Tip | @Doguib7 Create a Shape Layer, use Offset Paths & Trim Paths from Shape Layer ‘s “Add” menu to animate paths – lotsofun!
    #AfterEffects Tip | Animate property randomly – Alt-click Stopwatch to add expression. Type Wiggle(10,50) to change value 10 p/sec within 50
    #AfterEffects Tip | Audio file plays at different speed than recorded? Check that RAM preview settings match the frame rate of the audio.
    #AfterEffects TIP | Custom Shape layers – 1 Layer > New Shape Layer 2 Draw path with pen 3 Select path property – paste custom path @Doguib7
    #AfterEffects Tip | Drag comps directly to Adobe Media Encoder to render in background. Allows you to continue working on other comps in AE
    #AfterEffects Tip | Loop Footage – select clip, go to Interpret Footage > Main > Other Options > Choose how many time you want to loop 🙂
    #AfterEffects Tip | Quickly deselect selected items by hitting F2. On Mac make sure to use Fn key to override system shortcuts.
    #AfterEffects Tip | Replace layer in Timeline with footage from Project panel (retaining fx + KFs) – Select both, hit Cmmd+Alt+/ Ctrl+Alt+/
    #AFTEREFFECTS TIP | Rubbish at animating? Don’t worry! Use the Motion Sketch panel to record mouse or pen motion & apply it to your layer 🙂
    #AfterEffects Tip | Video Tutorial – how to make your own “Old Film” effect using Turbulent Noise; http://t.co/IOn0bHVPuU @AdobeAE #Mograph
    #AfterEffects Tip | Video tutorial – Use the Stroke effect on Illustrator paths to make handwriting animate on screen http://t.co/APabrfE9FT
    #AFTEREFFECTS Tip 41: RT @i2cblog: In Project panel, search ‘unused’ or ‘missing’ to see what’s not used in any comp or source is missing
    #AfterEffects tip; Moving project to other machine or archiving? File > Collect Files gathers all source footage & project maintaining links
    #AfterEffects tip; Scale layers or comps without messing up composition. Go to File > Scripts > Demo palette. Use Scale Layers
    #AfterEffects Tip; Use Premiere Pro to cut footage, add simple animation to layers in real time. Dynamic Link portions to AE for finessing
    #AfterEffects Tip: @Franckmax If you want to do that, just Toggle hold the keyframe first, then right-click and choose “Easy Ease Out/In” 🙂
    #AfterEffects tip: @jamesboorman To make the particles stay “alive” for longer, adjust the Lifespan property.
    #AfterEffects Tip: @MarkToddWagon No need for Alt,  Page Up & Down on their own works. Home & End key to move to 1st & last frames of comp.
    #AfterEffects Tip: 3D layers have Material Options to control shadows. Cast Shadows & Accept Shadows can be switched on or off per layer.
    #AFTEREFFECTS tip: Animate Source Text property 2 make words change over time in text layer. Font & character panel attributes also animated
    #AfterEffects tip: Convert Text to Shape layers (Layer > Create shapes from Text) – Add cool Shape properties to get creative! Endless Fun!
    #aftereffects tip: Create a keyframe for a property on selected layers by holding alt key & tapping property shortcut. P for Position etc
    #AfterEffects Tip: Even out animation speed – select Keyframes in timeline (except 1st & last KF). Right-click & choose “Rove Across Time”
    #AfterEffects Tip: Found a camera move or lighting setup you like? Remember you can save them as Animation Presets to use in other comps.
    #AfterEffects Tip: Give footage instant punch & contrast – duplicate layer – make top layer Overlay Blend mode – adjust Opacity to taste 🙂
    #AfterEffects Tip: Have layers in comp that you don’t want to render? Select Layer, go to Layer > Guide Layer to create non-rendering layer.
    #AfterEffects tip: Help with custom shatter maps. Re: Is this done with shatter effect? http://cr8v.co/wCe [Like it? http://bit.ly/lRPIGH ]
    #aftereffects tip: Huge files? Slow render times? Select layer in Project, go 2 File > Create Proxy. Makes linked  low res version of file!
    #AfterEffects tip: Jump back & forth between visible keyframes & layer markers by hitting J & K. Trouble remembering? Think JUMP KEYFRAMES!
    #AfterEffects Tip: Learn Cinema 4D – soon – you won’t regret it! 🙂 @maxon3d @AdobeAE #Mograph @c4dtips
    #AfterEffects Tip: Locate missing footage by typing ‘missing’ in2 search field in Project panel. Relink by double-clicking it & relocating
    #AfterEffects Tip: Metric Kerning looks good on well-designed, classic fonts for broadcast – it includes a little more space than Optical
    #AfterEffects tip: Painting in Layer panel. Go to View > New View. Place comp & layer panels side by side. Lock them for nice ETLAT workflow
    #AfterEffects Tip: Pt 2. Select Camera, double-hit U key to expose adjusted properties, drag select them, drop into Effects & Presets panel
    #aftereffects tip: Remember the shortcuts for properties with the word ‘STRAP’. (S)cale, Opaci(T)y, (R)otation, (A)nchor Point, (P)osition
    #AfterEffects tip: Rendering more than one format? Select Render Item, go to Composition > Add Output Module to render once & format twice
    #AfterEffects Tip: Rendering movie for web? Choose poster frame displayed in thumbnail – Go to Composition > Set Poster Time before render.
    #AFTEREFFECTS Tip: Retime animation – select keyframes – hold Alt key & drag 1st or last keyframe. Keeps relative timing intact.
    #AfterEffects Tip: RT @theangietaylor: Re: After Effects Key Light – Some Spilling Occuring – How Do I Get Rid of it? http://t.co/azVs5mxn
    #AfterEffects Tip: RT @theangietaylor: Re: Moving Layers by n Pixels http://t.co/qtde4cIk
    #AfterEffects Tip: Select a layer, double-hit U key to expose properties adjusted from default state. Great way to understand effect presets
    #aftereffects tip: To auto-animate brush strokes as they’re drawn. Choose Paint tool & select ‘Write On’ in Duration Menu in Paint panel.
    #AfterEffects Tip: To create a template project simply save the project with .aet instead of .aep. Prevents u from accidentally over-writing
    #AfterEffects tip: To reduce the amount of motion blur in a comp go 2 Composition Settings > Advanced Tab & reduce the Shutter Angle value.
    #AfterEffects tip: To use included scripts enable General > Preference to ‘Allow scripts . . .’ and then restart… http://fb.me/BQbXk95K
    #AfterEffects Tip: Use Motion Sketch panel to capture motion from Wacom tablet & apply it to layers. Good way to record gestural animation.
    #AfterEffects Tip: Use the  J & K keys to jump between visible keyframes
    #AfterEffects Tip: Use the “continue” Loop expression 2 continue an existing animation, maintaining speed &… http://t.co/u21TqofD
    #AfterEffects Tip: When overnight rendering, render out an image sequence, at least then if it crashes you can save frames already rendered.
    #AfterEffects tips from @AngieTaylor – Software Tips & Tricks Newsletter – http://t.co/kEF6ry0p [Like it? http://t.co/IzVYju0W ]
  • After Effects World Conference

    After Effects World Conference

    Great News! I’ll be one of the speakers at the very first After Effects World conference. Never before has an After Effects World Conference of this magnitude been available — Until now.

    After Effects World Conference, Seattle, WA

    Uniquely designed with the needs of motion graphics and visual effects professionals in mind, it’s your opportunity to amp up your software aptitude, build professional connections and freely engage in creative exploration. www.AfterEffectsWorld.com

    Trip To Adobe Headquarters

    Attendees of this unique After Effects conference will visit Adobe headquarters in Seattle for a full day, meeting the developers & engineers of After Effects. We’ll have panel discussions, a mini expo, a special keynote presentation and collaborative workshops with the Adobe team, followed by a BBQ & networking — a perfect way to end the day.

    Some of the Speakers

    After Effects World Conference Speakers Image

    For more information and registration visit www.AfterEffectsWorld.com.

    Have a question?  LIVE CHAT NOW or call us toll free: 877-362-8724.

    After Effects World Conference Registration button

     

  • Model and Animate with Cinema 4D Lite

    Learn How to Model and Animate with Cinema 4D Lite

    972201_10151933274893625_549304587_nHave you ever wanted to learn how to model and animate with Cinema 4D Lite? Want to take advantage of the great free application that’s now bundled with After Effects CC?

    I’m just putting the finishing touches to my brand new course “Up and Running with Cinema 4D Lite”. I wanted to write a training course specifically aimed at After Effects users with little or no experience with 3D applications. It’s an accessible and comprehensive course that covers all aspects of this application.

    Real World Projects

    You’ll learn how to build models from primitive objects, link objects and animate them. I’ll show you how to light your scenes and animate cameras changing in time with music. You’ll create your own custom materials as well as utilizing the amazing free presets that come with Cinema 4D Lite.

    All this is applied to a single project so you’ll be able to understand how each of the features can be used in conjunction with each other on real-world projects. Here’s a taster of what you’ll be creating.

    Club Robot – Beeple Tribute from Angie Taylor on Vimeo.

    You’ll also discover how to use Cinema 4D Lite alongside After Effects, taking advantage of the new Cineware plug-in. We’ll also explore some third party scripts and plug-ins that’ll help you along the way.

    Subscribe Now

    So, if you want to know how to make best use of this new software that’s arrived on your doorstep, sign up for Lynda.com and be one of the first to get the training when it’s released. If you want to try out a free trial to Lynda.com here’s a link for a week of free video training.

     

  • Review of After Effects CS6: Learn by Video

    Review of After Effects CS6: Learn by Video

    I was very excited to read this very in-depth review of After Effects CS6: Learn by Video on Amazon today;

    5.0 out of 5 stars | August 20, 2012

    A good solid base upon which to build

    Diane Cipollo (Editor at BellaOnline.com) – See all my reviews
    This review is from: Adobe After Effects CS6: Learn by Video (Paperback)

    I get many emails asking for the best way to begin learning a new software such as After Effects. My first suggestion is to start with a training video for the software of your choice. This is especially true for a robust and complex software such as After Effects CS6.

    I found After Effects to be intimidating in spite of my strong Adobe Flash background but the Adobe After Effects CS6 Learn by Video training course from video2brain gave me a good solid base upon which to build. The authors Todd Kopriva and Angie Taylor share the instruction with Kopriva covering the technical aspects of the software and Taylor covering the creative.

    The authors start with a short history of the After Effects software leading to what’s new in version CS6. With a panel-by-panel tour of the user interface, you are introduced to the basic project workflow and terminology.

    Next, you learn what makes up a basic composition and how to build your own comps from scratch. You first learn how to create a line of text with the Character panel and a block of text with the Paragraph panel and then move on to using shape layers for creating simple and complex vector shapes.

    The fun really starts with the Effects and Presets panel. You will learn how to apply a Keylight effect to turn the original background transparent. Then you create a new solid which will be your new background to which you can add effects such as the CC Mr. Mercury effect.

    Not all comps are built from scratch. You learn how to import assets such as movies, stills, image sequences and audio. Also introduced is how to manage and organize the various assets for your comp. Of course, you will need to know the options for importing Photoshop, Illustrator, After Effects, Premiere Pro and Final Cut Pro files. You will also learn about interlacing, pixel aspect ratio, and trimming basics.

    Halfway through the course, we get to the part I enjoy the most which is animation. First, you cover the basics including how to use keyframes and tweens to control the transformation of various properties. Next, you cover motion paths and how to use Motion Sketch to draw freehand paths. Delving deeper into animation, you learn about the various types of keyframes in After Effects and how to use the Keyframe Assistants and Graph Editor to refine your animations.

    The next section covers text animations. Taylor covers options for importing text created in Photoshop and how to edit the text in After Effects. She then demonstrates an easy and fast way to animate each letter individually with the Text Animators. She shows you how to combine animators to create more complex animations and how to save your custom animators as presets. Next we see how shape layers can be used to create many effects, as well as using the Repeater to emulate a particle-like effect.

    Switching back to Kopriva, we learn the basics of compositing and how many effects can be created using Blending Modes, Alpha Channels and Masks. Next he discusses common problems and how to correct them with Color Keying, Motion Tracking and Rotoscoping.

    The next section concentrates more closely on how to create custom effects. Beginning with a discussion of the Effect Controls panel and categories. Taylor also covers how to use keyframes to animate properties and how to apply easing. One nice feature is the Brainstorm viewer that lets you preview variations of effects and save them as presets. She also discusses what she calls fixer effects for solving common problems such as rolling shutter. She ends this section by covering how to edit layer styles and adjustment layers imported from Photoshop to create effects.

    When working with video, you can manipulate the frame rate to achieve various effects. Kopriva first discusses frame rate in general and then covers common retiming tasks such as Time Stretching, Time Remapping, Freeze Frame, Slow Motion and Reverse Frame.

    The next section concentrates on your workflow and ways to use grouped and linked layers as well as nesting and pre-composing. One example of character animation demonstrates parenting hierarchy and IK. You also learn about expressions and how easy it is to write your own for complex animation.

    Animating 3D effects can add realism to your projects and this section of the course begins by discussing how to use the 3D wireframe and other views needed to work in 3d space. Once you are familiar with working in 3d space, Taylor moves on to how to animate by bending layers. She also covers the basics of using camera presets and controls for depth of field and point of interest. Next, she adds lighting to the 3D scene and walks you through the various types of lighting such as Environmental, Point and Spotlight and how to work with cast shadows and reflections. Reflections can be very important to the realism of your scene and Taylor discusses the various controls such as Reflection Intensity, Sharpness and RollOff, as well as Specular Intensity and Shininess and Environmental Layer maps.

    Switching back to Kopriva, we discuss optimizing software performance by adjusting the default preferences and taking advantage of Ram and Disk Catching. Next, he covers After Effects default render order and how this order determines the final render, much like the hierarchy in Cascading Style Sheets determines the final HTML document.

    After Effects has several options for exporting your projects and in this section Kopriva discusses how to use the Render Queue. Much like other video exporting, he shows you how to set the various format options. He discusses how to use preset output templates and how to save your own custom settings as a template. He demonstrates how After Effects can save time by rendering several formats simultaneously. Next, he does a walk through of how to use the Adobe Media Encoder to choose output presets for Vimeo, Apple and Android.

    The final section is a wrap up and final thoughts. It examines several projects and discusses how they were made. It also covers how to integrate After Effects with Cinema 4D.

    The course includes 10+ hours of the video2brain Learn by Video series and supporting files for following along for a hands-on, watch-and-work teaching approach. Also included with the DVD is a small booklet with additional information. As with all the Learn by Video series, you have an easy-to-use control panel for viewing the videos.

    Todd Kopriva has been with Adobe and After Effects since version 7.0. He creates Adobe documentation and training materials. Angie Taylor has worked 14 years in motion graphics and animation. Examples of her work have been featured on the BBC.

    *Peachpit Press provided a copy to me for review purposes.

  • Something’s happening in Europe!

    Something’s happening in Europe!

    Me with Gerhard & some of the team at video2brain

    I’m very excited, something’s happening in Europe that’s going to be fantastic for all of us – I think you’re going to love it! First of all, let me set the scene for why I’m telling you this.

    Once in a while, if you’re lucky, you end up working with a bunch of really special people – I’m so lucky it’s happened to me. I create video training workshops with the fantastic team at video2brain which is led by one of the nicest men I have I ever met, Gerhard Koren.

    Gerhard and I used to be demo artists for Adobe, traveling to trade shows and events, speaking about how we used Adobe software in our work. We clicked right away, Gerhard was so knowledgeable and talented, and as with most truly gifted people – humble and genuine with it. He always took time to help people to really understand the software and went out of his way to be friendly and kind.

    Gerhard set up video2brain in 2002 and it quickly became established as Europe’s premiere go to place for video training. They gained a reputation for quality and innovation that has never been matched.

    In 2009 they started creating English Language titles and were joined by Dan Brodnitz who came in to head up the amazing English language team. Dan has an extensive experience in the publishing industry having worked at Lynda.com, O’Reilly and IDG. As well as bringing his publishing expertise to the table, he also brings a passion for creativity, ideas and people. Like Gerhard, he’s what we call in the UK “a top bloke”. Friendly, full of ideas and he cares about quality and integrity.

    I’ve worked with video2brain since 2009 when I created my first After Effects Learn by Video product with Adobe’s Todd Kopriva. Since then I’ve created lots more titles and made many more friends at video2brain who I’d love to mention by name but are too numerous to list (you know who you are and how much I love working with you!) We have gradually built a fantastic team of English language trainers who you can find out more about here.

    2011 marks another great landmark for video2brain which will be announced this week. I wish I could tell you now but my lips are sealed. All I can say is please keep an eye on the countdown on our video2brain website. And if you want to get an idea about the kind of video training we offer, take a look at some of the 600 plus free tutorials we offer online as a taster of what’s to come.

  • Creative After Effects 7

    Creative After Effects 7

    This Creative After Effects book helps you to realize your creative potential with a working knowledge of After Effects 7.

    Renowned artist and designer Angie Taylor demonstrates professional workflows and inspires with practical tutorial lessons that help put the theory (and you!) to work.

    You’ll learn from a comprehensive survey of the new interface and features, with illustrated techniques for animation, visual effects and motion graphics.

    Practice exercises to reinforce essential techniques, and continuous projects challenge you with fantastically creative uses of the application. The companion DVD includes everything you’ll need to complete the tutorials as well as an array of bonus plug-ins and demo software.

    • A comprehensive survey of the new After Effects 7 interface and toolset
    • Illustrated techniques for animation, visual effects and motion graphics
    • Practical tutorial lessons that demonstrate professional workflows
    • A companion DVD with tutorial media and valuable plug-ins.

    Reviews

    “Today’s software is so creative and seductive that it is easy to think that’s all there is to creating engaging content. Angie Taylor’s book shows the other side of the story: the visual techniques and design principles that underpin digital moving image making. In this comprehensive guide she has assembled a wealth of tips and exercises in topics such as drawing, composition and typography that will be required reading for all up-and-coming motion media artists.”

    Birgitta Hosea, Artist and Course Director of MA Character Animation, Central Saint Martins College of Art and Design, London.

    “Of all the After Effects books I looked at whilst trying to learn it,
    I found Angie’s was the most user friendly and creative.”

    Chris Cunningham, Director of music videos, commercials and video art.

    “…a worthwhile investment for animators and artists who want to
    focus on creating their designs and not get bogged down in
    technical jargon… Angie has a knack for demystifying the intricacies
    of After Effects and coming up with creative uses of the features.”

    Steve Kilisky, Senior Product Manager, After Effects, Adobe Systems Inc.

    “Angie Taylor’s work is inspired. She is a highly creative animator – inventive, witty and naturally sympathetic to individual programme styles”.

    Carys Edwards, Director, Children’s BBC

    “Angie Taylor is the best After Effects teacher I know. She goes beyond technical descriptions of features, and shows you how to best use them in real world projects.”

    Bruce Bullis, Senior API Engineer, Adobe Dynamic Media, Adobe Systems Inc.

    “This book takes you on a rollercoaster ride through the world of creating animation and special effects with Adobe After Effects. It is much more than just a software manual, Angie Taylor seeks to stimulate the creative use of computer animation. Complex technical issues are clearly and concisely explained, making it suitable for beginners as well as the more advanced users”.

    Birgitta Hosea, Course Director, London Animation Studio, Central St. Martins College of Art and Design, London.

    “…one of my favorite demo artists in the industry. Her tutorials
    are always compelling, well-designed, and worthwhile.”

    Brian Maffit, Creative Director, Total Training

    “Angie is an outstanding guru of After Effects…her seminars
    brings gasps of awe from seasoned and beginner audiences
    alike… you will enjoy this book immensely.”


    John Keedwell, GBCT, GTC. British Cinematographer