Tag: Software

  • Trapcode Particular Free Tutorial

    Trapcode Particular Free Tutorial

    I’ve just watched a great After Effects tutorial, made by my good friend, the great Peder Norby of Trapcode fame. He’s dome a wonderful job of teaching you how to get the best volumetric smoke effects using Particular.

    I love this tutorial as it was totally improvised so it shows how he had to experiment to get the settings right. Check out his tutorial and if you don’t already own Particular, you can also download a free trial of Trapcode Particular from the Red Giant website so you can try it out.

    I also stumbled upon a very kind and generous offer from Andrew Kramer at Video Copilot. Andrew is giving away 100 MB of stock footage free this month to say a big thanks to his followers. Nice one Andrew! 🙂

  • After Effects CS5 – Learn By Video by Angie Taylor and Todd Kopriva

    Well, what a busy old month I’ve had! I’ve crossed several time zones and been on more flights than I care to mention. But all for good reason.

    Earlier this month I went to Graz, Austria to record an After Effects training DVD for the amazing folks at Video2Brain. It was really good to be back providing training for After Effects again. I’ve been looking for a new method of delivery since I stopped updating my “Creative After Effects” books and Video2Brain provide the perfect vehicle for it.

    I’ll also be recording some more Video2Brain titles very soon and will keep you posted on those too. The DVD is available for pre-order now. 10 hours of me and Adobe’s own Todd Kopriva teaching you all we know about our favorite motion graphics application, Adobe After Effects CS5! Order it today and save 37% off!

    GridIron Software have been very supportive too. It’s so refreshing to work for a company that actively encourages employees to keep real contact with the creative industry it services. I must say it’s too rare. There are so many occasions where I’ve seen creative people join software companies, only to be consumed totally by the business aspect of their job till eventually they struggle to use the products in a creative way or even understand the customers requirements. I’m very grateful to GridIron Software for having the foresight to avoid these problems and for allowing me to remain in touch with the creative aspects of my role.

    I’m also happy to report that Adobe have also adopted a similar approach. I shared the training delivery with the amazing Todd Kopriva from Adobe. Together we recorded almost 18 hours of video based training in just over a week. It was intense but very rewarding. I really enjoyed working with Todd so thanks to Adobe too for allowing him to be involved in such a great project.

    So I left Gratz, via Frankfurt, got home to Brighton and slept for a few hours and was then whisked off to Ottawa (via Halifax) the next day to meet with my new colleagues at GridIron Software. It was really great to meet the new team and have some face to face time with colleagues that I usually only meet remotely with.

    On my way to the airport after four days of meetings I was then kidnapped by my friends and taken to a lovely cottage in the Canadian wilderness for a perfect wind-down weekend of swimming, fishing, eating and campfire singing. It felt very good to finally have some time off after four consecutive weeks of work.

    I finally got home last Tuesday and it’s taken me a whole week to unpack and settle back into home life. It’s good to be home and be able to focus on my work again.

  • Angie’s software favourites of the month

    There are a few nice pieces of software around at the moment that I want to share with you. The first is Beauty Box from Digital Anarchy. An incredible plug-in for video applications (like After Effects, Premiere Pro and Final Cut Pro). If you shoot interviews or wedding videos and don’t have a good make up person on hand to fix their spotty complexions, you can simply do it in post with this plug-in, it works miracles! Here’s an example where I’ve used it on a particularly blemish-ridden shot of me! This was a one-click job but Beauty Box offers you a multitude of fine controls to really perfect results, and remember this works across frames too, it’s pretty damned amazing!

    Angie, before and afetr Beauty Box treatment

    The next app I want to feature is Red Giant Software‘s amazing Plastic Bullet. It only costs a couple of dollars for your iPhone and does an amazing job of randomizing fantastic Holga-esque effects on your pictures. It’s addictive and makes nearly every photo a masterpiece in the click of a button. Those who want to apply similar looks in Photoshop or video applications can check out the more mature sibling applications, Magic Bullet Looks for Photoshop, After Effects and Final Cut Pro. Here you can see a range of effects that I applied to the pictures above.

    Oh, and before I forget, just a note to remind my blog readers of our very own special software offer this month! We have recently released a new version of GridIron Flow 1.0.4, which is compatible with Adobe CS5 applications. To celebrate this release we’re having a very special launch offer on pricing till June 4th 2010. you can pick up a copy of Flow for the incredible price of $99.99 (MSRP $299.99).

    I’d love to hear about your own apps of choice so please chime in with comments.

  • Copyright or wrong?

    Copyright or wrong?

    I’ve been busy putting the finishing touches to my forthcoming book, “Design Essentials for the Motion Media Artist“.

    It’s funny, I’ve written books before. Software books, teaching people how to use Adobe After Effects to be specific. I was commissioned to write these books, at the time there were very few books on the subject and there was a growing demand for them. I must say, I hated writing them, the process was so bogged down with technical checking and they had to be written in a very standard, linear way which I found stifling.

    I’m pleased to say that this book was different. It’s about the principles of art and design, a subject very close to my heart, something I live and breathe so writing it was very hard work but also, a real pleasure. That is, till it came to illustrating the book. Creating my own images and diagrams was fine, no problem. But when it came time to adding photographs of famous inventors, artists, artworks and examples of motion graphics, the nightmares started.

    I tried my best to get clearance for the images, but to no avail. First of all I had to find out who the copyright owners were, this is not as easy as you may think. In some cases several people claim to own copyright so how do I know which one to believe? Even after finding out and writing to them, I’d often get no response. One day I rang the Galleria Nazionale delle Marche in Italy to ask for permission to use a reproduction of The Flagellation by Piero Della Francesca, I greeted them in my best pigeon Italian (which admittedly is pretty poor!) I asked if there was anyone there who spoke English and they promptly hung up on me! This happened three times!

    This was an extreme example but fairly typical in that nobody seemed interested in my offers to pay for written permissions to use their work. It seems that everybody wants to protect their work but nobody wants to sell you the rights to use it, so what’s the point in protecting it, what are they protecting it from exactly?

    I have no intention of stealing anybody’s work, using it for any obscene publication, claiming that it was mine, all I wanted to do was pay tribute to some of my favorite pieces of work, and their creators. I presumed that copyright was intended to prevent the creators from losing revenue but if they’re not making it easy for people to pay, how do they expect to make any money? It seems very sad that the creative outpourings of artists and designers are surrounded by a cobweb of bureaucracy that prevents them from getting exposure, making money, providing inspiration for others and being shared, loved and developed into the art and design of tomorrow.

    Since encountering this situation I have read up on copyright and want to share a couple of really interesting articles on the subject. The Abolish Copyright website explains why this system is so antiquated and has some great links to other articles. Anyone who is planning to provide web content in the UK should read up about the Digital Economy Bill which is being pushed through parliament as we speak. It’s likely to make matters a whole lot worse by propping up and supporting bad business models by giving unprecedented power to private entities to impose sanctions based on suspicion rather than due process. They can even take away your internet access if they suspect you of having copyright items on your website, it’s crazy! But, it’s not too late to act, The Open Rights Group will help you fight this insidious and draconian bill before it’s too late!

    Finally, as a celebration of those brave individuals who stick two fingers up at copyright law, and as a tribute to Malcolm McLaren, a true eccentric Englishman who helped change the face of music. Bow Wow Wow‘s fantastic “C30, C60, C90 – Go!” – listen free on Last FM.

  • MacWorld 2010 – Are you going to San Fransisco?

    I’m hoping to see a few of you at MacWorld 2010 where I’ll be speaking next year. I love San Fransisco so will be taking a little extra time out to hang out with my old friends, Amacker and Nina at the Lucky 13 bar on Castro. I also hope to catch up with all my other SF buddies, it’s always hard to fit everything in as there are so many people I love in the bay area!

    If you’d like to attend you can click on the banner to the left to get a discount. Click on the Register button and then just use my personal priority code, ATAYLOR when you register.
    Below are details about the talk I’ll be delivering;

    Users Conference US964: Creative Video Workflow – From Storyboard to Completion – Feb. 12, 2010    3:00 PM – 4:15 PM

    Angie Taylor will take you on a journey through a typical video project, showing the entire process including the creation of sketches, brainstorms and storyboards, audio production and clean up, editing, and producing the final project. Angie will also discuss how creative professionals can bring unity and clarity to complex creative projects. Aspects of automating time sheets, liaising with clients, auditing jobs and packaging final files for delivery will be explored within this session.

    Anyone with personal or professional interests in creating digital videos and working with tools such as After Effects, Flash, Flow, CS4, Illustrator, Photoshop, Premiere Pro, Final Cut Pro and Soundbooth, will benefit from this session.

    If you are interested in a streamlined way to look at the digital video process including tips and tricks using various software tools that will help maximize the creative input and minimize the project complexities, then this session is for you!

    Angie’s Shuffle Track of the Day: San Fransisco – Scott McKenzie – listen free on Last FM

  • Two worlds collide

    Angie Deejaying

    I’ve had many careers in my lifetime, one of them being a deejay in the 1990s London club scene. I regularly deejayed at clubs like FF at Turnmills, Mix it at Heaven, The Fridge, The legendary Bell in Kings Cross, and the good old Market Tavern. I gave it all up in about 1993 to follow my heart and find a way of making a living from my art, through motion graphic design. It’s taken me to places I never expected to be and here I am, Creative Director of a software company – sometimes I wonder how the hell I got here!

    Anyway, next Sunday I’ll be marrying two of my worlds. We, GridIron Software, will be at IBC next week, partnering with Apple to show how our products can integrate and improve the production workflow. I’ll be working with Apple, showing how to get the best from Flow and their new Final Cut Studio.

    Apple and GridIron will also be partnering on some other stuff that includes our IBC Party. We’ll be celebrating with our industry friends, the success of Flow which has recently had some amazing reviews. We’ll have a short introduction from our CEO and founder, Steve Forde, followed by a talk on Screen Design by our very own Mark Coleran, who designed screeen graphics for hollywood movies such as Tomb Raider, The World is not Enough, and the Bourne Identity. Mark left his career in Screen Graphic Design and joined GirdIron Software to work on the user experience and interface for Flow.

    I’ll be dusting down my headphones, providing the MC services and also deejaying after Marks talk. I’ll be playing a mixture of music to suit everyone but please feel free to ask for requests by using the comments section below. The event is for pre-registered guests only but we have a few spare tickets available at the exhibition. So, if you want to come along, please make your way to the JVC stand in hall 10 (stand 10.D41) at the following times;

    Friday – 12.00-12.30, 14.30-15.00
    Saturday – 9.30-10.00, 13.00-13.30
    Sunday – 9.30-10.00, 16.30-17.00
    Monday – 9.30-10.00, 16.00-16.30

    Please make yourself known to me. You can always request some music and I’ll try my best to play it for you!

    looking forward to seeing you there!

    Angie’s shuffle track of the day – Panic, The Smiths – listen free on We7.com