Angie Taylor is a traditionally-trained sculptor who has worked as a digital artist since the 1980âs.
Her work explores themes of identity, isolation & otherness â often championing lifeâs misfits and highlighting the struggles faced by them.
Her highly-distinctive style is hard to pin down but has been described by some as Punk-Expressionism â a unique mix of punk art, naive art, pop art & expressionistic aesthetics and themes.
Her work juxtaposes the DIY ethic of punk, fresh immediacy of naĂŻve art & complexity of VR & 3D technology.
– a typography video-training workshop on the principles of designing text.
I’ve just finished recording my latest workshop with the fantastic team at video2brain. It’s a workshop with a difference.
If you want the salient points delivered to you quickly so you can get on with your work, this product is perfect for you. It’s a series of short videos that form an educational and enjoyable workshop that you can sit back and enjoy – imbibing my knowledge as you go!
It’s based upon the Typography chapter from my book, Design Essentials for the Motion Media Artist. Not everyone likes to read books or needs the level of detail covered in Design Essentials so this provides an alternative.
It provides a quick-reference guide in the format of a video presentation. All the essential key principles of Typography that every designer needs are covered. And it won’t bog you down with too much detail (that’s what the book is for right?) it’s fast-paced and illustrated throughout with helpful animated diagrams and examples of work.
Learn about the history and anatomy of type as well as the terminology used to describe the components of text. Discover the difference between typefaces and fonts, glyphs and characters, serifs and sans serifs, kerning and tracking, leading and baseline shift. Find out when and why you would use specific fonts based on  aesthetics, cultural associations and characteristics.
This workshop expands on the content of the book with additional software exercises to improve your typographic software skills. Youâll learn how to apply the principles of typography in practical ways to graphic design projects. Software exercises will show you how Adobeâs Character and Paragraph panels can help make the most of your text, creating unique and exciting effects.
Iâll also teach you lots of neat tricks like animating text along paths in After Effects and making text write on the screen. In Illustrator weâll use operators to customize lettering, giving it a hand drawn look,. Weâll create 3D Text in Photoshop and add Layer Styles to brighten up our graphic designs. In InDesign youâll make the most of its powerful Open Type features such as ligatures, glyphs and other special characters.
With this comprehensive typography video training workshop you can simply sit back and watch as I present the principles for you. If you feel like following along, all the exercise files are provided. The videos are short and easily digested and you wonât get bogged down with technical jargon as I explain difficult concepts using easy-to-understand, real-world terminology.
If you’d like to be notifies when this title becomes available please click on this link.
I’ve created a new website called Effect Cafe for sharing my effects, presets, tutorials and other resources. I will be slowly migrating content over to the new site as well as adding new content that will not be available on this website.
Please make sure to register free at my new site. As a member you will have access to lots of goodies in the coming months as the site gets more established. Thanks for your support.
I’m pleased to announce the release last week of the new Wacom Masterclass series of workshops. I’ve worked with Wacom tablets for years and love the creative flexibility they provide to my work. In these tutorials I share some of the techniques I’ve learned over the years.
If you want to check out some free lessons from these workshops please use the highlighted links listed below. Subscribers to my newsletter qualify for a 20% discount on this course through to the end of December. You can sign up for my newsletter here.
Join Angie Taylor and Steve Caplin for this multifaceted collection that includes a basic course covering the tabletâs tools and settings as well as lessons on beauty retouching, optimizing your architectural and landscape images, and image retouching with Photoshopâs healing and cloning tools. Youâll also get crash courses on Adobe Photoshop Lightroom and Apple Aperture, designed to get you working right away. Each class features lessons with picture-in-picture live footage of the artist working with their pen and tablet, enabling you to see and learn from their techniques up close.
Join Angie Taylor, Daniel Lieske, and Uli Staiger for this information-rich collection that includes a basic course covering the tabletâs tools and settings as well as lessons on drawing and painting in Photoshop, photo illustration, and drawing in Illustrator. Youâll also get a crash course on Painter, designed to get you working right away. Each class features lessons with picture-in-picture live footage of the artist working with their pen and tablet, enabling you to see and learn from their techniques up close.
Join Angie Taylor, Uli Staiger, and Daniel Lieske for this unique collection that includes a basic course covering the tabletâs tools and settings, an extensive video tutorial on motion design with After Effects, and crash courses on 3D with Photoshop, SketchBook Pro, and ZBrush, designed to get you working right away. Each class features lessons with picture-in-picture live footage of the artist working with their pen and tablet, enabling you to see and learn from their techniques up close.
This exceptional value includes all of Volumes 1â3 of the Wacom MasterClass collection, including lessons from artists Angie Taylor, Steve Caplin, Daniel Lieske, and Uli Staiger. In addition to a basic course covering the tabletâs tools and settings, you get training on everything from beauty retouching and painting in Photoshop to drawing in Illustrator and motion design with After Effects. The package also includes crash courses on Adobe Photoshop Lightroom, Aperture, Painter, SketchBook Pro, ZBrush, and 3D with Photoshop, all designed to get you working right away. Each class features lessons with picture-in-picture live footage of the artist working with their pen and tablet, enabling you to see and learn from their techniques up close.
I’ve created some special little Halloween Software Tricks and Treats for you to use in your work. This download contains an After Effects CS5 project and artwork needed to create some spooky Halloween graphics for your projects.
Pumpkin Particles falling
I love creating ideas and techniques for the community. In fact I’d love to dedicate more time to creating ideas, tips and tricks for you and make it a full-time venture. However these things take quite a long time to produce so I’m currently trying to fit these in-between paid freelance jobs.
I’ve been trying to figure out ways to make this pay without having to charge people a fixed price for these. I’d also like to avoid having advertising on my site to earn income. So, as an experiment, I’ve included a free download link to the project files and a Donate button. I’d dearly love to prove that a business model, where people volunteer to pay what they think something is worth can work.
If you find these presets useful and would like to support this risky venture please donate what you can afford, even $1 would make a difference and would be gratefully appreciated. This will help me dedicate more time to this project and continue to improve the website’s offerings. Thank you!
These designs use the Trapcode Suite of plug-ins and Magic Bullet Looks. If you don’t own these plugins you can download free trials here from the Red Giant website
In the future I intend to provide privileges and special offers to those who contribute to this project.
Thanks so much for your support!
I’ve just uploaded a new preset to Red Giant People. It’s my first foray into creating presets and projects as opposed to tutorials. If they prove popular I’ll create more for Halloween! I’m also going to be creating some presets for Genarts FX Central so keep and eye out for those before Christmas! I love coming up with ideas so if you have anything you’d like to see please feel free to contact me via the comments page.
This preset features a complete After Effects Project containing a graphic design idea for a TV Ident. It features a graphic, stylised blood splat made with Trapcode Particular. The blood particles use a light emmitter and bounce against a layer used as a Wall. The blood “bleeds” around the text to reveal it and then another text layer animated on along a lower third strip with Logo.
I recently published my Kinetic Typography Techniques for After Effects course. In it I used a wide selection of fonts that are freely downloadable from various websites, just to make sure everyone following the tutorial could get access to the same fonts.
Unfortunately one of the websites I recommended is no longer in operation. Below I’ve providing alternative links to all of the fonts used in these workshops. I cannot guarantee that these links will always be maintained as they are from third-party sites so I’ve also included the font names so that you can search for them using your favourite search engine, should the links expire.
When downloading these shareware fonts please take a few minutes to click on the Donate button for each of them. Even if you only donate $5 it will help make sure that these hard-working font designers get rewarded for providing us all with very low priced fonts to experiment with. This is particularly important if you are going to be using any of the fonts in paid work. It’s good karma and will make you feel good that you’re helping out a fellow designer!
If you’re interested in understanding more about the financial struggles that all designers are facing, please check out this entertaining graph by Jessica Hische which determines whether a designer should work for free! Jessica is a font designer and letterer who campaigns for fair pricing for fonts and other design work.
The fonts presented here are their authors’ property. They are either freeware, shareware, demo versions or public domain. The licence is usually positioned near the download button but please check the readme-files in the zipped packages or check the author’s website for details. You can contact him/her if in doubt. If no author/licence is indicated it means that information is not available. It doesn’t mean it’s free, it is your own responsibility to find out more if you want to use it commercially.
I was asked to create a workshop on Kinetic Typography techniques for Adobe After Effects by several people including the lovely people from video2brain who produced this epic workshop for me. I’d like to thank them all for their patience and professionalism throughout this long project!
I’m pleased to say that I have finally finished this epic workshop. It was originally planned as a one-hour tutorial but has developed into a full-on, eight-hour workshop covering all sorts of weird and wonderful techniques.
I started off by covering essential kinetic typography techniques such as automatically creating text layers by importing content from a text file – using Variables and Data Sets in Photoshop and Scripts in After Effects. I demonstrated how to format text, making use of typographic controls like Kerning and Baseline Shift to get creative with negative space. In the latter stages I applied some of the free Animation Presets, created and adapted complex text animators to help you understand how to control them.
"That Day" Music by Richard Walker
While creating this piece I just couldn’t help but get creative and I slightly strayed away from the task in hand. As a result this workshop also includes techniques you may not immediately associate with traditional kinetic typography. In the included lessons we have fun animating and lighting layers in 3D space. We recreate an animated version of the Sgt. Pepper album cover using After Effects’ vector Shape Layers.
Welcome Video
Introduction to Kinetic Typography
We even recreate an ancient stone circle from 3D text layers! You’ll also learn techniques for creating your own backgrounds, aged-film and dust and scratches effects by combining some of the built-in After Effects filters. Of course I also cover popular, requested techniques like animating handwriting on screen.
I use typography in my every-day work as a motion graphic designer but the artform of kinetic typography is different. The purpose of text in motion graphic design is to deliver a message. Generally, the text needs to be legible and on screen for long enough for the viewer to read and there are several other “rules” that are sensible to apply to motion graphic design. Kinetic typography as an artform kicks those rules into touch.
Editing and Looping Audio
Variables and Data Sets in Photoshop
My understanding of kinetic typography is that the words should be used to convey moods or feelings, they don’t need to be the message, they are just there to support it. My feeling is that the words should echo the spoken words rather than simply repeat what’s being said.
In my interpretation of Richard Walkers “That Day” (a poem set to music) I wanted to portray what I took personally from the piece. I understood it to be about the dissatisfaction we have with the present moment and how we avoid enjoying it by always thinking about the past or the future. This avoidance leads to confusion, frustration and general unsettled feelings.
In this workshop you get all my project files along with my creative musings about how these ideas developed. I hope that you can enjoy working on some of my own files and diving into my own personal creative project. Here are some sample movies from the workshop to give you an idea about what you can learn.
In this week’s newsletter I’ll be giving away a complete workshop about using the Stereoscopic 3D workflow in After Effects CS5.5 (offer ends 26/09/11). That’s four chapters – a total of 16 training movies absolutely free to subscribers of my software tips and tricks newsletter. Sign up today to make sure you don’t miss out. The lovely people at video2brain have created this workshop for me if full, fabulous HD quality for your viewing pleasure. You can find out more about their high quality productions here. Any the wonderful team at Artbeats have donated some fantastic Stereo 3D footage absolutely free so you can build this opening title graphic sequence is glorious Stereoscopic 3D.
In the “Introducing Stero 3D” chapter you’ll find out what stereoscopy is, why those funny glasses are used to view S3D and how After Effects re-creates the illusion of depth for 3D broadcasts.
In the “Faking 3D tracking” chapter you’ll discover how to combine 3d animated elements with Stereo 3D video footage from Artbeats.com. I’ll show you how to track the footage in 2D and then âfakeâ 3D tracking by cleverly combining the tracking data with additional 3D animation. Once the shot is designed youâll add 3D cameras and lights that will help the text combine well within the shot and and add effects to bring it all together.
In Effects, Transparency and Style chapter we’ll add effects, blend modes, and layer styles to the graphic elements so that they appear to blend into the shot.
Finally in the Stereoscopic 3D workflow chapter youâll build a Stereo 3D rig that automates the comp structure required to create an anaglyphic image for 3D broadcast. We’ll look at the effects you can use to adjust the settings so that they are just right for your individual needs. We’ll also look at ways of adding even more depth and realism to the scene with Depth of Field and Motion Blur effects.
Artbeats, your source for royalty-free stock footage, is offering everyone a free HD clip from their new Stereoscopic 3D (S3D) library. If you’ve been wanting to try your hand at working in 3D motion, this free download is the perfect opportunity to test it out.
For those of you who are not ready for 3D, you can download the same clip in 2D for use in your everyday high def projects.
When a group of amazing animators get hold of a projection system, youâre either going to get an evening of inspiration or a cheeky light bulb joke. Post Production Magic is your event for awe-inspiring work by After Effects gurus Angie Taylor, Simon Cam of SuperGlue, Ernesto Rogata of BSkyB and colourist and trainer Simon Walker.
 These artists show you how popular Red Giant tools like Magic Bullet Suite and Trapcode Particular and Trapcode Form open up big creativity on a small budget. Experience the best of design, animation, colour grading and visual effects created in After Effects and Premiere Pro, along with a networking and cocktail hour. Hosted by Red Giant and co-hosted by Adobe Systems, the event will be streamed live by Adobe and held at state-of-the-art Ravensbourne University in London (www.rave.ac.uk).
In her session Angie will share tips and tricks for creating cool and quirky motion graphics in Adobe After Effects and will show how she uses Red Giant Looks, Particular, and other Red Giant effects to give her animations a more distinctive style and pull her compositions together.
Angie Taylor is an art director, motion graphic designer and author. She enjoyed a fourteen year career producing animation, visual effects and motion graphics for television, film, video and the web. During her career Angie worked with D-Fuse designing animation for cutting-edge Beck DVD ‘Guero’ and provided animation for the controversial Aphex Twin / Chris Cunningham collaboration ‘Rubber Johnny’. She also provided visual effects on the John Williams-directed “Hibernation”, winner of six awards at international film festivals, including ‘best short’ award at the 2005 Manhattan, Rhode Island, Edinburgh and Zagreb Film festivals. Examples of her work were regularly broadcast on the BBC and Channel 4 in the UK and across Europe.Angie also works in the software industry as a software specialist, regularly touring with companies including Adobe and Apple. Angie delivers software demonstrations and seminars on digital filmmaking and animation processes at international trade shows and conferences including NAB, IBC and Macworld. She also provides bespoke training and consultancy to a wide range companies including; BBC; Channel 4; Channel 5; Carlton; HTV; B Sky B; MTV.The author of three successful books. The âCreative After Effectsâ books (version 5 and 7), published by Focal Press, and a third book, âDesign Essentials for the motion media artistâ which is also published by Focal Press. Angie is also co-author of “After Effects CS5 Learn by Video”, published by Peachpitt in association with Adobe Press. Angie also produces high quality online training workshops with video2brain, Europeâs premier source for video training since 2002.
Superglueâs projection mapping project for Toyotaâs âGet Your Energy Backâ campaign (http://www.vimeo.com/16466136) was a highly creative and technical challenge, utilising numerous different production techniques. The animation featured 2D, 3D, keyframed animation, dynamics, particle systems and more. Compositing, VFX and general pipeline management was performed in After Effects, whilst 3D work was created using Autodesk Maya and Maxon Cinema 4D. The team made extensive use of both Trapcode Form and Trapcode Particular in bringing to life the âhybrid energyâ that was the key part of the campaignâs message.
Superglue is an award winning, London-based production company specialising in innovative digital projects. The team comprises a dynamic mix of production, post and digital brains working across live action, visual effects, 3D and motion graphics. Superglue operates across the modern media spectrum, creating moving image for everything from banners to broadcast.
Ernesto Rogata, BSkyB
Ernesto will talk about the daily challenge of integrating text and other graphic elements in exciting and innovative ways in sport pieces, stings and short title sequences – usually with little time to complete the job. He will share some simple techniques to create motion graphics using After Effects and Red Giant plug-ins.
Ernesto Rogata is an award-winning senior video editor at BSkyB in London and has worked in post-production for 20 years. His professional role covers four areas: editing, grading, creating motion graphics and training.
Simon will show the grading secrets of Plot Device, a new short film produced by Red Giant, and will demonstrate how Red Giant’s Magic Bullet Suite brought to life a varied series of genres… as well as a hoard of zombies!
Simon is creative director of WiltshireVideo.com, makes online grading and editing tutorials at www.simonwalkerfreelance.com, and is an instructor for the International Colorist Academy, iColorist.com. He is an Adobe Certified Premiere Pro Instructor and trains industry professionals in editing, motion graphics, colour grading, audio sweetening, and (excitingly!) video compression.Â
I’m excited to be able to offer a free top-up course on my website to all my lovely visitors. In this free course, Adobe Technical Support Lead Todd Kopriva offers dozens of tips for optimizing Premiere Pro, After Effects, your operating system, your computer, and your workflow for maximum speed and performance.
He makes recommendations for RAM, CPUs, graphics cards, and hard disks â both what to buy and how to set up your applications to make optimal use of these resources â and for setting preferences and other options in After Effects and Premiere Pro to minimize the amount of processing needed at each step of your workflow.
Youâll also learn what CUDA, OpenGL, and the Mercury Playback Engine are, and what each means to you in practical terms. After completing this workshop youâll get more done in less time, both by making things work faster and by avoiding common causes of wasted time.
I’ve been speaking at events for a long time, in fact I can’t believe how long, after fifteen years now I’m classed as an industry veteran! (I’m not sure whether to be happy or sad about that one!). It’s been great to be in this position as I’ve seen the industry develop both technically and in terms of design. I’m happy to say that I’m beginning to notice a change. We are now entering a new age where technique is gradually becoming less prevalent – aesthetics and messaging are being rediscovered as the most important aspect of our work as designers. My friend, Birgitta Hosea (now a Doctor of animation!) has coined a new term to mark this era, “the post-digital aesthetic age”.
During most of my career as a motion graphic designer I’ve witnessed so many projects that are led by technique or by the latest “how cool is that” type-of-effect. “How did they do that?” is all fine and dandy for your average man in the street, or for those concerned with visual effects or the more technical aspects of production. But for artists, designers, philosophers thinkers and appreciators of fine art it and design, I’m afraid it just doesn’t cut it every time. We like substance as well as style. Why did they do that is just as important as how, please don’t let us forget the saying “just because you can, doesn’t mean you should!”
I’m going to be teaching on the Graphic Design and Illustration courses at Brighton University this year and am so excited to be going back into an academic environment. Of course I’ll be teaching digital software techniques, I’m there to provide guidance to the students from the perspective of a motion graphic designer. But I’m also looking forward to emphasising to them the importance of the core design skills they’ll need to set themselves apart as artists and communicators. I’d love to hear the views of others on this subject. How do you ensure that the technical aspects of your work as a designer/ illustrator/ artist don’t dictate the content or quality of your work? Answers on a well thought out and constructed postcard please! đ
