Lip Sync in After Effects

Lip Sync in After Effects

Lip-syncing is something that all animators will be asked to do at some point in their career. The following technique automates the process of lip sync in After Effects and uses only built-in features of Adobe After Effects – no extra software is required! This video tutorial is an updated version for Adobe CS5. Tutorial files and a text-based version of the tutorial for older versions of After Effects are available here if you want to follow along.


This project
was a test project for a job for the BBC. They contacted me and asked if it was possible to create a minute of lip-synced animation on a cartoon character. The budget was really tight, as was the deadline, so I had only one day to create a character that lip-synced to a provided sound track for a full minute.

Of course it was the BBC so I could hardly say no! So I said “Yes, no problem, I’ll take the job!” The minute I put the phone down I thought, “Oh Blimey! What have I got myself into?” I went to bed that night worrying about how I’d manage to get the job done. I tossed and turned, having nightmares about failing in my first job with the BBC. Then suddenly I sat bolt upright in bed and thought, “hang on a minute, what if I use Time Remapping with the Convert Audio To Keyframes Assistant, I’m sure that’ll work!” (That’s the kind of sad geek I really am!) 😉

Anyway, I leapt out of bed, ran over to my computer and put together a test project to see if it would work. This is the very project I put together as a test to see if the technique would work. Luckily, it did and I got the job done on time!

The audio used in this tutorial is contributed with kind permission. “Memories Of Your Own” – Words and Music by Jason A. Levine © Jason Levine 2007

Creating a Cityscape in 3D

I want to share an example of one of my tutorials that I’m very proud to say inspired a great piece of work, “Black Day to Freedom” by the amazing Rob Chiu. I met Rob after watching a very inspiring talk he gave at the Flash on the Beach conference a few years back. I approached him after the talk to tell him how much I enjoyed it and was blown away when he told me that the movie he had shown was partly inspired by my own tutorials. We have since kept in touch and Rob has contributed to my latest book, Design Essentials for the Motion Media Artist.

I’ve recently recorded the tutorial on video and want to share it with you. I’m in the process of updating some of my most popular demos and tutorials for my video2brain Adobe After Effects CS5 Learn by Video DVD.I’m featuring one FREE tutorial per week for the next five weeks here in my blog. If you like these free tutorials you can also buy the DVD here.

My 3D Cityscape tutorial is one that I’ve had great feedback on and it really was one of the biggest compliments when an artist I admire told me that this demo had inspired some of his own work. Rob Chiu (AKA The Ronin) is a well respected live action commercial director and photographer. Black Day to Freedom was one of his first films, an animation entirely built in After Effects. This was actually inspired at least technically by this tutorial where a very basic city is built with skyscrapers and lights. Rob took this as a starting point and created his own world to help anchor the story. You can find out more about Rob on his website or you can read the foreword he wrote and see exmples of his work in my latest book, Design Essentials for the Motion Media Artist.

The tutorial was developed co-written with myself and my good friend, Paul Tuersley, visual effects artist and After Effects guru of the highest order. Paul has worked on various feature films including Kick Ass, Angels and Demons and 10,000 BC. Paul came up with the initial idea to build a real 3D environment from basic flat layers within After Effects. This technique has now been used widely in a variety of different ways both in Motion Graphic designs and animation projects. Paul is also the moderator at AE Enhancers, a fabulous resource for After Effects artists that you should also check out.

In this updated tutorial you’ll see how easy it is to create graphics from absolutely nothing, directly within After Effects. You’ll also see how to create 3D environments and build scenes for your animations. I’ve also included the project file you’ll need to go through the tutorial here 3D_City.aep. After going through the tutorial I’d love to see examples of what you’ve done with it so please post links in the comments section.


Creative After Effects Bonus Tutorials

Creative After Effects Bonus Tutorials

These Creative After Effects Bonus Tutorials are ones created specifically for readers of my “Creative After Effects”books but are also freely available to everyone who visits my website.They were designed for previous versions of After Effects but still contain useful tips, tricks and techniques. These books contain many more in depth tutorials on Adobe After Effects and related topics. It also includes a free CD full of goodies and training materials for your delectation!I welcome feedback from readers as it is essential to the growth and development of the book and website. If you have any comments or feedback please feel free to leave comments.
Keylight Training movie This is a sample movie from my book “Creative After Effects 7″. The tutorial focusses on how to use The Foundry’s Keylight in After Effects to key out really badly shot DV footage. Angie shares tips and tricks on how to avoid problems and to fix them once they occur.
Character Animation tutorial I’ve done a fair bit of character animation using After Effects, mainly cut-out animation, similar to the style Terry Gilliam used in the Monty Python animations and not too dissimilar to South Park’s style of animation.Till Parenting was introduced, I always used complex nesting procedures to link the individual parts of my characters together. I would draw them in Illustrator with each part on a separate layer, bring it in as a Comp and then Pre-comp the body parts together as needed.Parenting gets rid of the need for complex nesting hierarchies, I can now link the body parts together in one composition. This tutorial simplifies and demystifies the processes, making them less intimidating to those who have never used Parenting.
The Talking Dog Lip syncing Tutorial for After Effects 6 is based on the After Effects 5.5 Production Bundle but can also be followed using the version 5.0 PB. If you want to get hold of an updated After Effects CS5 version of this tutorial, complete with new footage, it’s available as part of my After Effects CS5 Learn by Video DVD in association with Adobe’s Todd Kopriva.
This tutorial shows you how to use Motion Math scripts and Time Remapping on a 3D – rendered character to automate the process of lip-synching. I used this technique in an animated program which was broadcast on a major UK TV network.
Multipass for After Effects 5.5 and Cinema 4DXL These comprehensive tutorials cover techniques for creating multipass renders as well as importing and manipulating the multiple passes in After Effects 5.5.Using a whole host of old and new features to bring your 3D scene to life you will learn the basic principles and discover the power and flexibility that can be achieved by rendering out your 3D scene in passes.

Download files:

Cinema 4DXL (Version 7.303)

Multipass tutorials

Tutorial notes: Cinema 4D Multipass Project files: Cinema 4D project files

After Effects 5.5

Multipass tutorials

Tutorial notes: After Effects Multipass Tutorial Notes

Project files: After Effects project files Footage files: Movies, Lights, Footage files

The Cinema 4D tutorial was co-written by myself and Tim Clapham of HelloLux. Find out more about Tim and HelloLux by here.

Free tutorial – creating a 1960s retro opening title sequence

Free tutorial – creating a 1960s retro opening title sequence

My dear friend and esteemed and talented After Effects aficionado, Aharon Rabinowitz has posted my 1960’s retro “Pop-art” tutorial up on Red Giant TV. I actually recorded it in the 1960’s but it’s taken this long for technology to catch up to a stage where it can broadcast a whole hour (almost) of FREE After Effects video training online! Download and enjoy, it’s all free and includes tutorial files! You’ll love Aharon’s “authentic” Scottish accent at the end!

Updates & Fixes

Updates & Fixes for my Creative After Effects 7 book
Sadly, even though the book and accompanying DVD were tested and proof-read, some errors were still overlooked – very annoying for both myself and the readers. I hope that it doesn’t stop you from enjoying the book and learning from it.

CAE7 DVD Error Fixes

Workflow.pdf
The DVD contains extra bonus information that I could not fit into the pages of the book. These documents are referred to in the book as seperate documents named individually, for example ‘Workflow.pdf’. These have now been consolidated into a single
PDF document named ‘CAE7-BonusInfo’.

CAE7 Book Error Fixes

Throughout the book; Due to some last-minute re-ordering
of chapters, some of the folders referred to in the Training folder have been given the wrong Chapter number. Please refer to the name of the chapter as opposed to the number in these cases.

Page 40 – RMS_Logo file
In the Import chapter a file named ‘Logo’ is referred to. This has been named wrongly, the correct file name to use in this tutorial is RMS_Logo.psd.

Page 53 – Step 40 – lines 3 and 4 should read;
‘Hold down Shift after you start to drag’

Page 121-123, Fig. numbers 4.2 and 4.6;
One of these screen shots shows the red car following the top-most path, the other shows the car following the bottom-most path. The Red car should follow the top-most path.

Page 154 – Step 3 should read;
Change the frame rate to 5 frames per second

CD Error Fixes

Chapter Nine: Time

There is an error in the T_Remap.aep project in Chapter nine: Time.
When you open this project there will be a missing piece of footage named “closeup 2_09.mov”. The movie is, in fact on the CD, it is simply named differently so AE can’t locate it without your help!

To resolve this, please open up the project and double-click the missing “Close_up_09.mov” in the Project window. Locate the “MeDance.mov” file from the Training>Source Movies> Angie Movies>MacDonna folder. Double-click this file to select it (or hit the Import button) to replace the missing footage. Finally, re-save the project to fix the problem.

Chapter Fourteen: Expressions
On page 206 you are instructed to open the project named ‘BasicExpStart.aep’. Due to a last minute oversight, this project does not exist in the Training folder. The project you need to open is named BasicExp.aep, the end project for this chapter (with all steps completed).

Below is a down-loadable file containing the missing project. Please download the appropriate file and continue the exercises using the project file and footage contained within. BasicExpStart.aep

Chapter Sixteen: Type
On page 296, Chapter 16: Type you are asked to import a file which is,
in fact missing from the CD. The file is named LA138.mov. Here is a link to download this movie file. LA138.mov

Creative After Effects 7

Creative After Effects 7

  • May 29, 2010
  • /
  • Blog
Reviews for Creative After Effects Buy Creative After Effects 7

This Creative After Effects book helps you to realize your creative potential with a working knowledge of After Effects 7.

Renowned artist and designer Angie Taylor demonstrates professional workflows and inspires with practical tutorial lessons that help put the theory (and you!) to work.

You’ll learn from a comprehensive survey of the new interface and features, with illustrated techniques for animation, visual effects and motion graphics.

Practice exercises to reinforce essential techniques, and continuous projects challenge you with fantastically creative uses of the application. The companion DVD includes everything you’ll need to complete the tutorials as well as an array of bonus plug-ins and demo software.

  • A comprehensive survey of the new After Effects 7 interface and toolset
  • Illustrated techniques for animation, visual effects and motion graphics
  • Practical tutorial lessons that demonstrate professional workflows
  • A companion DVD with tutorial media and valuable plug-ins.

Reviews

“Today’s software is so creative and seductive that it is easy to think that’s all there is to creating engaging content. Angie Taylor’s book shows the other side of the story: the visual techniques and design principles that underpin digital moving image making. In this comprehensive guide she has assembled a wealth of tips and exercises in topics such as drawing, composition and typography that will be required reading for all up-and-coming motion media artists.”

Birgitta Hosea, Artist and Course Director of MA Character Animation, Central Saint Martins College of Art and Design, London.

“Of all the After Effects books I looked at whilst trying to learn it,
I found Angie’s was the most user friendly and creative.”

Chris Cunningham, Director of music videos, commercials and video art.

“…a worthwhile investment for animators and artists who want to
focus on creating their designs and not get bogged down in
technical jargon… Angie has a knack for demystifying the intricacies
of After Effects and coming up with creative uses of the features.”

Steve Kilisky, Senior Product Manager, After Effects, Adobe Systems Inc.

“Angie Taylor’s work is inspired. She is a highly creative animator – inventive, witty and naturally sympathetic to individual programme styles”.

Carys Edwards, Director, Children’s BBC

“Angie Taylor is the best After Effects teacher I know. She goes beyond technical descriptions of features, and shows you how to best use them in real world projects.”

Bruce Bullis, Senior API Engineer, Adobe Dynamic Media, Adobe Systems Inc.

“This book takes you on a rollercoaster ride through the world of creating animation and special effects with Adobe After Effects. It is much more than just a software manual, Angie Taylor seeks to stimulate the creative use of computer animation. Complex technical issues are clearly and concisely explained, making it suitable for beginners as well as the more advanced users”.

Birgitta Hosea, Course Director, London Animation Studio, Central St. Martins College of Art and Design, London.

“…one of my favorite demo artists in the industry. Her tutorials
are always compelling, well-designed, and worthwhile.”

Brian Maffit, Creative Director, Total Training

“Angie is an outstanding guru of After Effects…her seminars
brings gasps of awe from seasoned and beginner audiences
alike… you will enjoy this book immensely.”


John Keedwell, GBCT, GTC. British Cinematographer

Creative After Effects 7 Reviews

  • May 26, 2010
  • /
  • Blog

“Today’s software is so creative and seductive that it is easy to think that’s all there is to creating engaging content. Angie Taylor’s book shows the other side of the story: the visual techniques and design principles that underpin digital moving image making. In this comprehensive guide she has assembled a wealth of tips and exercises in topics such as drawing, composition and typography that will be required reading for all up-and-coming motion media artists.”

Birgitta Hosea, Artist and Course Director of MA Character Animation, Central Saint Martins College of Art and Design, London.

“Of all the After Effects books I looked at whilst trying to learn it,
I found Angie’s was the most user friendly and creative.”

Chris Cunningham, Director of music videos, commercials and video art.

“…a worthwhile investment for animators and artists who want to
focus on creating their designs and not get bogged down in
technical jargon… Angie has a knack for demystifying the intricacies
of After Effects and coming up with creative uses of the features.”

Steve Kilisky, Senior Product Manager, After Effects, Adobe Systems Inc.

“Angie Taylor’s work is inspired. She is a highly creative animator – inventive, witty and naturally sympathetic to individual programme styles”.

Carys Edwards, Director, Children’s BBC

“Angie Taylor is the best After Effects teacher I know. She goes beyond technical descriptions of features, and shows you how to best use them in real world projects.”

Bruce Bullis, Senior API Engineer, Adobe Dynamic Media, Adobe Systems Inc.

“This book takes you on a rollercoaster ride through the world of creating animation and special effects with Adobe After Effects. It is much more than just a software manual, Angie Taylor seeks to stimulate the creative use of computer animation. Complex technical issues are clearly and concisely explained, making it suitable for beginners as well as the more advanced users”.

Birgitta Hosea, Course Director, London Animation Studio, Central St. Martins College of Art and Design, London.

“…one of my favorite demo artists in the industry. Her tutorials
are always compelling, well-designed, and worthwhile.”

Brian Maffit, Creative Director, Total Training

“Angie is an outstanding guru of After Effects…her seminars
brings gasps of awe from seasoned and beginner audiences
alike… you will enjoy this book immensely.”


John Keedwell, GBCT, GTC. British Cinematographer