Creating Project Templates with After Effects

Creating Project Templates with After Effects

I’m happy to announce that my new course, Creating Project Templates with After Effects is now online and ready for viewing. If you have a Lynda.com subscription you can watch the entire course for free. If you don’t then I have a special discount code to give you ten whole days of free viewing. Just send me a message via the Contact page get your free code.

Here’s an example movie from this course. This tutorial teaches you how to understand the five parameters for the wiggle expression. If you have no clue what I’m talking about then you may want to follow my course on After Effects Expressions first.

About this course

Mograph designers and artists are always looking for new templates—and they’re often willing to pay for them. Building template-based projects in After Effects is also a great way to earn extra income while improving your design skills.

In this course, you’ll create a working project template in After Effects and prepare it for sale. You’ll learn how to build the project from flexible shape layers and text layers, adding some effects along the way.

You’ll also find out how to set up the project to make it easy for other designers to make changes to the color, text, and animation, and customize the project to suit their needs. I’ll also shows the best ways to save and package template projects for web delivery or for submission to Adobe’s Creative Cloud Market.

Topics Include:

  • Coming up with project ideas
  • Planning projects
  • Building backgrounds
  • Creating graphical animated elements
  • Formatting text
  • Structuring the project with controller layers
  • Working with color
  • Optimizing projects
  • Making templates easy for others to use
  • Packaging your template project
  • Selling your projectDuration:
    2h 49m

NAB 2015 Presentations by Angie Taylor

Well, it’s that time of year again, NAB 2015 is just round the corner. It’s the event of the year for our industry. The who’s-who of the broadcast industry gather together in Las Vegas for this massive trade show, conference and countless parties. It’s a great opportunity to meet old friends, make new contacts, learn new techniques and see new products and technologies on show.

 Interview with That Studio

Come to the That Studio booth, in the Plugin Pavillion at 1.15 on Wednesday to partake in the audience. I’ll be interviewed by the lovely Kanen Flowers about my relatively new venture The Creative Cabin. I’ll also be giving away some free Creative Cabin products!

Sessions and Demo’s

This year I’ll have a varied schedule – speaking at the Post Production World Conference and also doing software demo’s on the trade show floor. If you want to learn my latest tips and techniques and see new content from up and coming video tutorials, there’s plenty to see.

RE:Vision Effects Inc.

Booth SL5807

113a0a1dddd380aa6fe1c7022ee0dc81I’m proud to say I’ll be working the trade show floor on behalf of RE:Vision Effects Inc. Who make Academy Award winning Plugins for After Effects, Autodesk Systems, Avid Systems, Final Cut Pro, Fusion, genQ, HitFilm, Natron, Nucoda, Nuke, Premiere Pro, Resolve, Scratch and Vegas Pro.

I’ll be showcasing all of their plugins, in particular my personal favourite RE:Flex that I used on the Chris Cunningham’s Rubber Johnny music video. You can find us at booth SL5807. I’ll be there Monday from 2-6, Tuesday from 3.30-6 and Wednesday from 9-1.

Boris FX

Booth SL4225

This year Boris FX will be teaming up with their friends at Imagineer Systems to present awesome new time-saving technologies and vfx tools jointly developed for the first-time by the Boris FX and the Imagineer teams. Swing by thebooth SL4225 on Tuesday the 14th April at 12pm midday to see my talk about creating 3D titles right inside After Effects. See how to us Boris FX 3D plug-ins with the built in 3D Camera Tracker inside After Effects to mimic famous movie titles.

Post Production World Conference

South Upper Hall

I’ll also be speaking at the Post Production World conference during the week. This premiere technical training program is produced by Future Media Concepts.  Click here to review the full schedule of this year’s Post|Production World offerings.

I have two sessions at this event this year;

Building After Effects Templates and Source Elements

Tue. April 14| 2:00 PM – 3:15 PM | N252

Designers can make extra income by designing templates for other designers. Websites like Adobe Exchange and VideoHive make it easy to market and sell them. In this session Angie Taylor will share tips and techniques for building solid templates and source elements for After Effects and Premiere Pro. She’ll also share information about how to protect your content legally and make money from it online.

This session will feature workflows in After Effects, Premiere Pro and Illustrator.

By the end of this session, attendees will know how to….
• Design templates that are useful and practical
• Organize template projects so they are easy to use
• Create expression controllers for adjusting template elements
• Lock and hide and add notes to project elements
• Create accounts to market and sell templates
• Make additional income by selling products

Get More from Cinema 4D Lite & After Effects

Wed. April 15| 3:30 PM – 4:45 PM | N252

The Cineware plugin allows users to integrate Cinema 4D, 3D objects and scenes into your After Effects projects. Angie will look at the many creative ways this powerful software combination can work. You’ll pick up all the skills you need to feel confident with Cinema 4D Lite as well as see some inspiring ideas to drive you forward. The session will finish with Angie showing you how you can use classic camera moves from famous movies in your 3D scenes.

By the end of this session, attendees will know how too…
• Build models from primitive objects Cinema 4D Lite
• Apply and modify materials in Cinema 4D Lite
• Animate properties in Cinema 4D Lite
• Make use of free content in Cinema 4D Lite
• Incorporate your 3D objects into After Effects
• Recreate classic camera moves with the After Effects 3D Camera Tracker

Conference: Post|Production World

Registration Package: A Post|Production World registration or SMART Pass will get you into these sessions. Please check here for registration prices.

 I hope to see some of you there. I am quite short-sighted so often don’t recognise people from a distance so please make sure to come and say hello if you see me.

Cinema 4D Lite Tutorials

Cinema 4D Lite Tutorials

Cinema 4D Lite Tutorials from

Up and Running with CINEMA 4D Lite for After Effects

with Angie Taylor

Intimidated by 3D modeling packages? Dip a toe in the water with CINEMA 4D (C4D) Lite, a slimmed down version of CINEMA 4D included with After Effects CC. Motion graphics designer Angie Taylor shows you how to build a complete sequence in C4D Lite, progressing from initial object modeling, to animation, lighting, camera rigging, texturing, and final render. Plus, learn to animate text, create random movement with wiggle expressions, track cameras in live-action footage to add new 3D elements, and light your scene. Angie also round-trips the project files to After Effects for visual effects and color correction. With over 100 videos, this course allows you to explore almost every aspect of 3D motion graphics creation, within this accessible introductory tool.

Topics include:

  • What is CINEMA 4D Lite?
  • Understanding the CINEMA 4D Lite and After Effects CC workflow
  • Editing primitive objects
  • Spline modeling with NURBS
  • Animating with keyframes
  • Using Xpresso to link properties
  • Importing music and soundtracks
  • Creating and animating cameras
  • Working with text
  • Scripting
  • Creating and applying materials and textures
  • 3D camera tracking
  • Compositing layers
  • Lighting with visible lights and ambient occlusion
  • Adding visual effects in After Effects
  • Rendering in After Effects and the Adobe Media Encoder

What is CINEMA 4D Lite?

Using the Picture Viewer in CINEMA 4D

Linking body parts using object hierarchy

Adding surface detail with a Relief object

Understanding coordinates

Understanding rotation

Keyframe interpolation

Creating multiple cameras in CINEMA 4D Lite

Creating a wiggle expression

Casting shadows on layers in CINEWARE

Multipass compositing explained

Layer styles

Elgato Thunderbolt Dock

  • July 21, 2014
  • /
  • Blog

The Elgato Thunderbolt Dock really is a desk-changer! It’s not often I write blog posts about hardware but this little gadget has eased my worklife considerably over the past few weeks and I’d like to sing it’s praises, perhaps it can help ease yours too.

It’s a simple, elegant little box that allows you to connect multiple devices to your laptop or desktop computer via one Thunderbolt cable. Simply connect your chosen machine to the back of the box using the supplied Thunderbolt cable.

thunderbolt-dock-device-back

 

The back has HDMI for connecting your external monitor. I use this to connect my NEC MultiSync PA271WB 27 inch LCD and get the full 2560 x 1440 resolution display fed from my humble 15″ Macbook Pro.

It also adds an extremely useful Gigabit ethernet port to my MBP so I don’t have to rely on wireless for networking – this is invaluable for me as I live in an area where we still have ADSL broadband – frustratingly slow and unreliable.

thunderbolt-thunderboltdock-plentyofpower

There are also other thunderbolt ports and a couplf of USB ports on the back fro connecting other devices. The box has power too so can be used to charge up your iPod or iPhone as well as powering bus-powered devices such as hard drives. There’s also a free utility that, when installed, provides your Mac support for high-powered USB.

At the front end is another USB port and Stereo audio in and out ports. These are useful for conference calls but I can alos use these to do some quick screen captures for my tutorials. Just attach a decent pair of headphones and my Countryman mic and I’m off! If I need more control over my audio its easy to connect my USB Pre 2.

Sometimes the simple things are the best and this little unassuming box is really the best. Previously I had a spaghetti-pile of cables running from the desk to my Macbook Pro. Each time I went there I had to plug and unplug various peripherals. Now my life is simpler and uncluttered, just one simple elegant cable is all I need. I’m a happy geek!

 

 

Creative Cabin Review

Creative Cabin Review

I wanted to share my very first Creative Cabin Review for my new training venture at Creative Cabin. This review is written by motion graphic designer extraordinaire, Phil Bearman.

Training with Angie Taylor at Creative Cabin

Creative Cabin

Like many motion graphics designers, I’m entirely self taught. In the early years of my career I spent a lot of time following tutorials, reading the Meyers’ fantastic books, and watching Total Training videos, alongside doing a lot of experimental work in After Effects.

10 years later, and I’ve been fortunate to build a successful business which has kept me very busy and earning a comfortable living throughout.

When you stop learning, your work can start to look tired and repetitive

I’m a firm believer that you should never stop learning, and with software applications as mature and ‘deep’ as After Effects there’s always something new to discover. Unfortunately the downside to being very busy all of the time is that it’s difficult to find time to learn. When you stop learning, your work can start to look tired and repetitive, and you can end up working on ‘auto pilot’ which is both boring and unsatisfying.

Whilst browsing Facebook recently, I landed on Angie Taylor’s page, and one of her posts was promoting something called the “Creative Cabin”.

For those who aren’t familiar with Angie, she is a long-established motion graphics designer who has become well known for her teaching, through books, video tutorials, seminars and classroom teaching, as well as being a regular contributor to community forums.

The Creative Cabin is a residential studio space near Brighton, UK, which Angie has set up. The studio can either be booked as part of a one-to-one training course with Angie or purely as accommodation, providing a space for you to work on creative projects away from your usual working environment which can be a great boost to creativity.

Creative Cabin - the view from the Cabin

The Creative Cabin appealed to me in three ways:

• Firstly, as an opportunity to take a break from work (as with many self-employed people, I don’t take nearly enough holiday time!)

• Secondly, to do some much needed learning to reinvigorate my passion and creativity, away from the pressures of deadlines, emails and the phone ringing

• Thirdly, to spend some time talking with a fellow motion graphics designer.

Unlike the USA, with it’s many “After Effects User Groups”, the UK doesn’t really have a social scene for motion graphics

Although I’ve been ‘in the business’ for 10 years, I’ve never actually spent any time in the company of fellow motion graphics designers. Unlike the USA, with it’s many “After Effects User Groups”, the UK doesn’t really have a social scene for motion graphics and this makes it difficult to meet other designers if you are self-employed. So the closest I’ve come to socialising is via the online forums, which just isn’t the same as being face-to-face with somebody.

Creative Cabin accomodation

So I booked a two day course at the Creative Cabin and a few weeks later took a train from Manchester to Brighton. From here I took a short bus journey out to the Creative Cabin which is actually situated out of town, slightly further along the coast. Before getting down to work, Angie showed me around the newly refurbished studio which has a picturesque view out over her garden to the sea.

The studio is equipped with basic cooking facilities to allow self-catering (sink, fridge, combi microwave oven), a comfortable double bed, and shower room with underfloor heating, plus there’s an outdoor patio area so you can sit and enjoy the garden and sea view.

At the ‘business end’, there is a large desk which you can either set your own computer up on, or use a provided Mac which has the Adobe Creative Collection installed along with Cinema 4D.

Prior to arriving, I had discussed my requirements with Angie by email. I knew Angie was experienced at 2D character animation, which is an area I’ve shied away from in the past but needed to master for a forthcoming project. So I brought some illustrated characters with me, and together we worked through bringing them to life in After Effects, starting with preparing the artwork in Illustrator, then breaking it down and animating the various components using a combination of methods.

Despite ten years of using After Effects, there were still loads of little AE tips and shortcuts that I picked up from Angie over the course of the two days, but where I actually gained most was from what Angie taught me about using Illustrator.

I’ve been using Illustrator for as long as I’ve been using After Effects, but have only scraped the surface of what it’s capable of – I’ve never explored its features properly (always wanting to jump back to After Effects at the soonest opportunity!) and was really excited to discover just what is possible with Illustrator when you delve in a bit further.

We also did a bit of training in Cinema 4D – another package I’ve been using for years, but only as a secondary tool to AE, so had a list of ‘weak areas’ which we explored.

she’s a great teacher, and has a warm, friendly personality which immediately puts you at ease

I found Angie extremely easy to learn from and get along with – she’s a great teacher, and has a warm, friendly personality which immediately puts you at ease (important when you’re going to spend two days sat at a desk together!). An added bonus is her Scottish East-Coast accent which, as anyone who has watched her tutorials video will know, is very easy on the ears!

Cliff-top view in Peacehaven close to the Creative Cabin

Stunning cliff-top view on my morning run

In the evening I decided it would be nice to try one of the local pubs for dinner, as recommended by Angie, and she was kind enough to give up her evening and join me for dinner. We had a great chat about how we’d got into the industry, the highs and lows of being a self-employed motion graphics designer, and discovered shared interests (DJing, cooking and gardening) which gave us plenty to chat about. It was really refreshing to chat to somebody about work without fear of boring them(!) and who had been through all the same kind of experiences along the way. The food was also good, as promised!

I like to go for a run first thing in the morning (an essential stress-buster and counter-balance for the sedentary day sat in front of a monitor) – the Creative Cabin is situated close to a cliff-top, which provided a picturesque route for jogging and fresh sea air – a perfect start to the day!

I came away feeling relaxed, refreshed, and rejuvenated

My two-day stay was everything I hoped it would be – I came away feeling relaxed, refreshed, and rejuvenated, excited to use the new skills and tricks I’ve picked up from Angie. It’s been a pleasure to meet her and we will undoubtedly keep in touch.

I would recommend Angie and the Creative Cabin to anyone who wants to sharpen up their creative skills – whether you’re a complete novice, or an experienced professional – or to anyone who wants a change of scenery to work on a creative project, and I wish Angie every success with this new venture.

http://creative-cabin.co.uk/

http://angietaylor.co.uk/

Getting Started with After Effects Expressions

Getting Started with After Effects Expressions

ae_expressionsI’m so excited to announce my new course, Getting started with After Effects Expressions which came out on the 20th of February. Even if you’re not comfortable with scripting or coding, you may still want to take a look at After Effects expressions.

About The Course

Expressions are like little scripts that trigger changes to layer properties, and they can save you time, make your work more flexible, and open up new creative possibilities. In this course, motion graphic designer Angie Taylor shows you how to make Adobe After Effects expressions work for you, starting with building expressions with the pick whip. Then she introduces JavaScript-based math expressions, which allow you to adjust timing and movement, and her favorite “no brainer” expressions, such as property linking and connecting camera focus to layers. Plus, discover how to react to sound, play with color, format text, and link 2D and 3D properties.

Topics include:

  • What are expressions?
  • Creating and applying expressions
  • Linking expressions to layers with the pick whip
  • Simplifying expressions with variables
  • Working with JavaScript math functions
  • Creating looping animations
  • Randomizing values
  • Converting expressions to keyframes
  • Creating keyframes from audio with expressions
  • Controlling 2D effects in 3D space
  • Converting color from RGB to HLS
  • Formatting strings and text

 

Free Trial Subscription

For those of you who have never tried out lynda.com training here’s access to a 7 day trial subscription. With this you can watch my entire training course as well as any other  lynda.com titles by me and other authors, completely free of charge!

7-day free trial

Cinema 4D at IBC 2013

Cinema 4D at IBC 2013

See me demo Cinema 4D R14 and After Effects CC at IBC 2013 and also experience CINEMA 4D Release 15 Live!

From Sept. 13 – 17, 2013, exhibition hall 6, booth C19, RAI convention center, Amsterdam
I’ll be showing CINEMA 4D R14 and After effects CC integrations at the MAXON booth at IBC 2013.

I’m proud to be included in a list of internationally renowned experts who will also be appearing at the MAXON booth every day with very interesting presentations and demonstrations covering a wide range of topics. An agenda and information about the speakers can be found here.

I’ll be showing tips and techniques from my Lynda.com training workshop “Up and Running with Cinema 4D Lite” where she builds a robotic animation, inspired by Beeple and uses the After Effects Cineware plugin to perform post production tasks on isolated layers from the Cinema 4D scene.

Each day we will be giving away fantastic prizes with a total value of more than €10,000. The main prize is an NVIDIA Quadro K5000 high-end graphics card worth more than €2,300 and a commercial CINEMA 4D Broadcast license, which will be given away to one lucky winner*.

This is where you’ll find MAXON:

At this year’s IBC we’ll be in hall 6, booth C19

Here’s a map of the exhibition floor!

The MAXON speaker schedule:

An overview of the individual speakers, their topics and the entire schedule as a whole can be found here.

I’m looking forward to seeing you at IBC!

Breaking Bad and Southcliffe Presets

Free Presets

Everyone wants to recreate the looks made famous by hit TV shows like Breaking Bad and Southcliffe. I’m creating a set of these looks right now, using several third-party plug-ins for After Effects and Premiere Pro.

I’m giving away a couple of these presets here for registered members of Effect Café. Registration is free to download these and other goodies.

The preset illustrated in the picture above is named MethLab and is based upon the color treatments used in the hit TV series, Breaking Bad. This image is taken from “Breaking Bad Contest Video” (Extended, Non-Color Corrected) Written and Directed by Taylor Perkins https://vimeo.com/72596888

Here’s a before and after image for my Southcliffe preset, inspired by the recent UK crime drama of the same name. Hop on over to Effect Café to download these free presets today.

Software Training Courses with Lynda.com

You can now access most of my software training courses with Lynda.com. This link will take you to my author page where you can find out more about the courses I have on offer. Here’s a free taster of the kind of things I teach in my tutorials.

Using the Stroke effect

View this entire Kinetic Typography Techniques with After Effects course and more in the lynda.com library.

I recorded these courses with video2brain and they are now part of the Lynda.com library. If you prefer to buy individual courses then you still can for a limited time in my tutorials store.

Of course a Lynda.com subscription gives you access to the entire library of training by me and other authors including Trish and Chris Meyer, Rob Garrott, Deke McKlelland and more.

Free seven-day trial

lynda.com online training tutorials

I’m giving away a free 7-day trial subscription. If you have a quiet week, sign up here and pack as much training in as you can to get real value from this offer. Once you’ve benefitted from a week’s training I’m sure you’ll see the benefit of a full-time, no-holes-barred subscription!

If you subscribe now you’ll soon get access to my latest course which is coming soon. “Up and Running with Cinema 4D Lite” is a complete 2-day course in Cinema 4D Lite, aimed at After Effects users who have little knowledge of 3D applications. It will help you make the most of this free software that was bundled as part of After Effects CC.

After Effects Twitter Tips

Here’s my latest collection of After Effects Twitter Tips from my archive. Learn all sorts of useful tips and tricks in bite sized portions. Make sure to Follow me on Twitter to get these tips regularly as well as other goodies I like to share.

Twitter Tips

After Effects tip – To make a one node camera point at a layer, select the layer, then with the unified camera tool selected, hit the F key
AFTER EFFECTS TIP | Copy & Paste any mask shape into a position property to make layer move along the path. Click on property name to select
AFTER EFFECTS TIP | Give Adobe your feedback | Report Feature Requests & bugs here; http://t.co/s7f1NOPs @AdobeAE #AfterEffects
AFTER EFFECTS TIP | To stretch or squash an animation – select all keyframes – hold Alt key & drag first or last Keyframe in selected group
After Effects Tip | Video tutorial – Use the Stroke effect on Illustrator paths to make handwriting animate on screen http://t.co/0E6UHcKOsr
After Effects Tip of the day! How to make a layer follow a path copied from Adobe Illustrator artwork. http://fb.me/CEapjgCw
After Effects tip; add new Refine Matte effect to ANY matte in AE to refine edges or add motion blur. Not just for Rotobrush! Fabulous tool!
After Effects tip; Animating characters, use expression pickwhip 2 link body parts 2 cntrl layer. Expression control effect 4 each movement.
After Effects Tip; How to make a layer follow a path copied from Adobe Illustrator artwork; http://bit.ly/f8tP4w
After Effects tip; Lay down markers in time with audio by previewing the audio and hitting * on number pad when you want markers to appear.
After Effects tip; to edit the path of an effect’s positional property (e.g. Particles) got to Layer panel & choose effect in target menu.
After Effects tip; To use more than one layer as matte without precomping. Add multiple copies of Sett Matte effect to layer needing matted.
After Effects Tip: @butlerm_com Try combining transfer modes, use more than one layer with a different mode and opacity value on each! 🙂
After Effects tip: Add keyframes for hidden Transform properties by selecting layers & hitting alt & property letter (eg alt-p for position)
After Effects tip: Applied a preset & wanna find out how it’s made? Select layers then double-hit the U key to expose adjusted properties.
After Effects tip: Make 3D layers turn to face camera as it moves. Select layers, go to Layer>Transform>Auto Orient. choose Towards Camera
AFTER EFFECTS TIP: Right-click on a property value to open Edit Value dialog. Here u can access different measurement units & adjust ranges.
AFTER EFFECTS TIP: Rotate , scale, skew or move all layers by adding the Transform effect to Adjustment layer – keyframe to animate them
After Effects tip: Scaled a layer down, nested the comp, then scaled it up? Click Collapse Transformations switch to fix resolution issues.
AFTER EFFECTS TIP: Travis Wade presents his After Effects: Copy and Paste Shortcuts on Motionworks; http://t.co/nP2yA1nJ
After Effects tip! Make layer automatically turn to follow direction of path – select layer, go to Layer > Auto Orient. Choose ‘Along Path’

AfterEffects Tip | Isolate a property group from the Effect Control Panel in Timeline by double-clicking Property Group name in ECW

#AfterEffects TINY TIPS: Do you have trouble with slow render speeds? Here’s a video workshop by Todd Kopriva to help: http://t.co/Y45ucGEl
#AfterEffects TINY TIPS: Do you have trouble with slow render speeds? Here’s a video workshop by Todd Kopriva to… http://t.co/2fL7wE8l
#AfterEffects Tip – Scale layers in comp without messing up composition – Select layers – Go to File > Scripts > Scale Selected Layers
#AfterEffects Tip | @Doguib7 Create a Shape Layer, use Offset Paths & Trim Paths from Shape Layer ‘s “Add” menu to animate paths – lotsofun!
#AfterEffects Tip | Animate property randomly – Alt-click Stopwatch to add expression. Type Wiggle(10,50) to change value 10 p/sec within 50
#AfterEffects Tip | Audio file plays at different speed than recorded? Check that RAM preview settings match the frame rate of the audio.
#AfterEffects TIP | Custom Shape layers – 1 Layer > New Shape Layer 2 Draw path with pen 3 Select path property – paste custom path @Doguib7
#AfterEffects Tip | Drag comps directly to Adobe Media Encoder to render in background. Allows you to continue working on other comps in AE
#AfterEffects Tip | Loop Footage – select clip, go to Interpret Footage > Main > Other Options > Choose how many time you want to loop 🙂
#AfterEffects Tip | Quickly deselect selected items by hitting F2. On Mac make sure to use Fn key to override system shortcuts.
#AfterEffects Tip | Replace layer in Timeline with footage from Project panel (retaining fx + KFs) – Select both, hit Cmmd+Alt+/ Ctrl+Alt+/
#AFTEREFFECTS TIP | Rubbish at animating? Don’t worry! Use the Motion Sketch panel to record mouse or pen motion & apply it to your layer 🙂
#AfterEffects Tip | Video Tutorial – how to make your own “Old Film” effect using Turbulent Noise; http://t.co/IOn0bHVPuU @AdobeAE #Mograph
#AfterEffects Tip | Video tutorial – Use the Stroke effect on Illustrator paths to make handwriting animate on screen http://t.co/APabrfE9FT
#AFTEREFFECTS Tip 41: RT @i2cblog: In Project panel, search ‘unused’ or ‘missing’ to see what’s not used in any comp or source is missing
#AfterEffects tip; Moving project to other machine or archiving? File > Collect Files gathers all source footage & project maintaining links
#AfterEffects tip; Scale layers or comps without messing up composition. Go to File > Scripts > Demo palette. Use Scale Layers
#AfterEffects Tip; Use Premiere Pro to cut footage, add simple animation to layers in real time. Dynamic Link portions to AE for finessing
#AfterEffects Tip: @Franckmax If you want to do that, just Toggle hold the keyframe first, then right-click and choose “Easy Ease Out/In” 🙂
#AfterEffects tip: @jamesboorman To make the particles stay “alive” for longer, adjust the Lifespan property.
#AfterEffects Tip: @MarkToddWagon No need for Alt,  Page Up & Down on their own works. Home & End key to move to 1st & last frames of comp.
#AfterEffects Tip: 3D layers have Material Options to control shadows. Cast Shadows & Accept Shadows can be switched on or off per layer.
#AFTEREFFECTS tip: Animate Source Text property 2 make words change over time in text layer. Font & character panel attributes also animated
#AfterEffects tip: Convert Text to Shape layers (Layer > Create shapes from Text) – Add cool Shape properties to get creative! Endless Fun!
#aftereffects tip: Create a keyframe for a property on selected layers by holding alt key & tapping property shortcut. P for Position etc
#AfterEffects Tip: Even out animation speed – select Keyframes in timeline (except 1st & last KF). Right-click & choose “Rove Across Time”
#AfterEffects Tip: Found a camera move or lighting setup you like? Remember you can save them as Animation Presets to use in other comps.
#AfterEffects Tip: Give footage instant punch & contrast – duplicate layer – make top layer Overlay Blend mode – adjust Opacity to taste 🙂
#AfterEffects Tip: Have layers in comp that you don’t want to render? Select Layer, go to Layer > Guide Layer to create non-rendering layer.
#AfterEffects tip: Help with custom shatter maps. Re: Is this done with shatter effect? http://cr8v.co/wCe [Like it? http://bit.ly/lRPIGH ]
#aftereffects tip: Huge files? Slow render times? Select layer in Project, go 2 File > Create Proxy. Makes linked  low res version of file!
#AfterEffects tip: Jump back & forth between visible keyframes & layer markers by hitting J & K. Trouble remembering? Think JUMP KEYFRAMES!
#AfterEffects Tip: Learn Cinema 4D – soon – you won’t regret it! 🙂 @maxon3d @AdobeAE #Mograph @c4dtips
#AfterEffects Tip: Locate missing footage by typing ‘missing’ in2 search field in Project panel. Relink by double-clicking it & relocating
#AfterEffects Tip: Metric Kerning looks good on well-designed, classic fonts for broadcast – it includes a little more space than Optical
#AfterEffects tip: Painting in Layer panel. Go to View > New View. Place comp & layer panels side by side. Lock them for nice ETLAT workflow
#AfterEffects Tip: Pt 2. Select Camera, double-hit U key to expose adjusted properties, drag select them, drop into Effects & Presets panel
#aftereffects tip: Remember the shortcuts for properties with the word ‘STRAP’. (S)cale, Opaci(T)y, (R)otation, (A)nchor Point, (P)osition
#AfterEffects tip: Rendering more than one format? Select Render Item, go to Composition > Add Output Module to render once & format twice
#AfterEffects Tip: Rendering movie for web? Choose poster frame displayed in thumbnail – Go to Composition > Set Poster Time before render.
#AFTEREFFECTS Tip: Retime animation – select keyframes – hold Alt key & drag 1st or last keyframe. Keeps relative timing intact.
#AfterEffects Tip: RT @theangietaylor: Re: After Effects Key Light – Some Spilling Occuring – How Do I Get Rid of it? http://t.co/azVs5mxn
#AfterEffects Tip: RT @theangietaylor: Re: Moving Layers by n Pixels http://t.co/qtde4cIk
#AfterEffects Tip: Select a layer, double-hit U key to expose properties adjusted from default state. Great way to understand effect presets
#aftereffects tip: To auto-animate brush strokes as they’re drawn. Choose Paint tool & select ‘Write On’ in Duration Menu in Paint panel.
#AfterEffects Tip: To create a template project simply save the project with .aet instead of .aep. Prevents u from accidentally over-writing
#AfterEffects tip: To reduce the amount of motion blur in a comp go 2 Composition Settings > Advanced Tab & reduce the Shutter Angle value.
#AfterEffects tip: To use included scripts enable General > Preference to ‘Allow scripts . . .’ and then restart… http://fb.me/BQbXk95K
#AfterEffects Tip: Use Motion Sketch panel to capture motion from Wacom tablet & apply it to layers. Good way to record gestural animation.
#AfterEffects Tip: Use the  J & K keys to jump between visible keyframes
#AfterEffects Tip: Use the “continue” Loop expression 2 continue an existing animation, maintaining speed &… http://t.co/u21TqofD
#AfterEffects Tip: When overnight rendering, render out an image sequence, at least then if it crashes you can save frames already rendered.
#AfterEffects tips from @AngieTaylor – Software Tips & Tricks Newsletter – http://t.co/kEF6ry0p [Like it? http://t.co/IzVYju0W ]